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  • Elektra Hunts Phil Coulson in Agents of SHIELD #9

    Agents of SHIELD #9 at TFAW.com

    Marvel’s Agents of S.H.I.E.L.D. TV show started back up this week and it was great to catch up with the gang. The thing is, they never went away. Imagine a world where there was no summer hiatus and no months of anxiously waiting for your favorite S.H.I.E.L.D. Agents to come back. Agents of SHIELD #9 is a testament that these characters never truly went away.

    At this particular moment in time, the team is embroiled in Marvel’s Civil War II, which sees longtime teammates on opposite sides of a moral dilemma. You don’t need to concern yourself with the details if you haven’t been following along because this issue is just plain fun. Newbies are welcome.

    Agents of SHIELD #9 at TFAW.com

    Enough with the background. Marc Guggenheim wastes no time picking up where the previous issue left off. Fitz finds himself on the wrong end of Elektra’s sai and things look pretty bad. You’d think that she’s the villain, but you’d be wrong. Elektra is (once again) a member of S.H.I.E.L.D., and she’s taken over for Phil Coulson. Ward is back, Daisy is on the outs with the team, Coulson is being hunted by S.H.I.E.L.D. Director Maria Hill, Simmons is in a struggle for her life — things are upside down, and I love it.

    If you’re a fan of the television show and you’re not reading this series…you’re missing out, bub. The Agents of SHIELD comic book series is unencumbered by a television budget or film rights to certain Marvel characters — we get a ton of action in each issue, which makes this series well worth the price of admission.

    Leaving off, it must be said that whoever put series artist Ario Anindito and color artist Rachelle Rosenberg together should be promoted. They’re a great team who’ve given us one hell of a comic. Order your copy of Agents of SHIELD #9 today!

    SEE AGENTS OF SHIELD COMICS & GRAPHIC NOVELS

    Editor’s Note: Grant Ward is the worst. Even though I despise him for the whole Hydra thing, I find myself hooked by his role in this issue (no spoilers here, folks) and am interested in seeing how things play out in future issues. Great job Guggenheim!

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  • Britannia Shows a Side of Rome You’ve Never Seen

    Britannia #1 review

    Britannia comics at TFAW.comRome has a long, and storied history of dominance across the world stage. Britannia is set during the rule of Emperor Nero, and follows a Roman Centurion named Antonius Axia.

    Political intrigue winds its way through the threads of fate for Antonius, set in motion by the Great Vestal Virgin, Rubria who appears to have plans that run much deeper than any of the cast could imagine. Antonius is being steered toward the land of Britannia, while a cult following the Lord of the Cave, Orkus appear to be looming in the shadows, out of view.

    Antonius is bestowed a codex, some greater depth of knowledge by the Vestals and it seems as though they are the ones truly guiding his path ahead. To what end? There is a dark, supernatural force lurking beyond Orkus, and the cult who revere the deity.

    This book has gripped me, though I strongly urge that this is strictly for mature audiences only. If you enjoy tales of characters such as Conan, Valiant’s own Eternal Warrior, and the like, you should definitely check out this new title by Peter Milligan (Animal Man, The Discipline) and Juan Jose Ryp (Clone, Wolverine).

    Crisp, direct, and expressive artwork was popping on the uncolored review copy which I read, but with the depth that is sure to sweep through the title in final copy, you can bet that the series is going to dig hooks in to you and draw you back for more.

    With this introduction, you need not worry about having to have read any previous comic titles as this is setting out an all new path that is so often claimed in comics these days, but unlike other titles, Britannia actually delivers.

    Swords and sorcery tales typically have a very different feel, but with Britannia being set during the Roman Empire, the series is set to deliver new feeling to the genre entirely. What are the Vestal Virgins attempting to do with Antonius, and Nero? Looks like we will have to wait and see as details emerge further with each new issue. I am ready for this journey.

    ORDER BRITANNIA ISSUES TODAY

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  • The Legend of Zelda Lives On

    lozot

    Like many Millennials who grew up with video games, I really love The Legend of Zelda. I’ve played almost all of the games and there are not one, but two Link Nendoroid figures holding court in my living room at this very moment. I even have a Wind Waker-era Link tattooed on my arm—and I’m planning on more Zelda-themed ink in the future.

    Link from Wind Waker tattoo The story that Shigeru Miyamoto and Takashi Tezuka released in 1986 has grown into something I’m sure they never could have imagined it becoming. The first game was a simple fantasy about a boy named Link, a courageous Hylian, who is tasked with saving Princess Zelda. Her kingdom in the land of Hyrule has been plunged into chaos because of the evil Ganon, who invaded her lands and stole the Triforce of Power, a piece of an ancient magical artifact. In order to beat Ganon and regain order and peace, Link must undergo many trials, battles, and adventures.
    Legend of Zelda Concept Art

    Zelda Toys & Statues

    Of course, The Legend of Zelda truly is a legend now: now in its 30th year, the universe has expanded to encompass 18 video games (not counting spin-offs), an animated TV series, music (including its own original symphony), clothing, and beautiful collectibles like the Twilight Princess Link and Ganondorf statues from Dark Horse, or the incredibly sculpted Skyward Sword Link figure. For those of us who still like to play with our toys, the Nendoroid figures come with lots of different accessories, including weapons, masks, fairies, and more, which can be set in tons of different action poses.

    Zelda Comics & Art Books

    And, of course, there are countless print adaptations. There are Zelda original graphic novels, manga series that correspond with almost every video game, novels, game books, and official companion books devoted to the art, characters, and details of the games.

    In 2013, Dark Horse Comics published the international edition of The Legend of Zelda: Hyrule Historia, which was a runaway success. It was so popular that it took the number one spot on Amazon’s sales charts away from 50 Shades of Grey! It’s an amazing collection of everything you could want to know about the series, all wrapped up in a beautiful hardcover edition fit for any library. It’s full of concept art, a complete history of Hyrule, an official game chronology, and an exclusive prequel comic. This was like a crown jewel in the series’ publishing history.

    The Legend of Zelda: Art and Artifacts cover Hyrule Historia was practically an instant classic, and that’s why Dark Horse is following it up with The Legend of Zelda: Art and Artifacts in 2017. Art and Artifacts will contain over 400 pages of rare promo art, illustrations from the games, official character designs, interviews with the artists, and more.

    But 2017 still feels like a long ways away! So to tide us over until then, we can look forward to November 2, when The Legend of Zelda: Legendary Edition, Vol. 1: Ocarina of Time. This book is going to be AMAZING. Ocarina of Time is often referred to as a fan-favorite installment of the Zelda series, and for good reason: its memorable music, exciting action, thought-provoking puzzles, and beautiful design make it a game that holds up to our cherished memories of it. Its manga series has been equally revered, and this deluxe edition will do justice to the beloved story.
    The Legend of Zelda: Legendary Edition, Vol. 1: Ocarina of Time cover
    In the upcoming Ocarina of Time graphic novel, Link has to undergo a long and dangerous quest in order to find the spiritual stones that hold the key to the Triforce. Then he has to deliver them to Princess Zelda and defeat the Great King of Evil himself: Ganondorf. The stakes couldn’t be higher, because whoever controls the Triforce could easily rule the world!

    This Legendary Edition kicks off a new series of 2-in-1 releases of the 10-volume fantasy adventure. In this one, parts 1 and 2 will be contained in an oversized format, and they will feature new covers and artwork by renowned manga series creator Akira Himekawa.

    Beth Kawasaki, Senior Editorial Director for Perfect Square, says “The Legend of Zelda is an unforgettable and tremendously loved property among multiple generations of video games, pop culture, and manga fans. We are very excited to bring fans The Legend of Zelda in a comprehensive new way with these collectible omnibus editions.”

    Don’t miss out on this fantastic edition of the best Zelda story ever The Legend of Zelda: Legendary Edition, Vol. 1: Ocarina of Time! It will be out just in time for the holidays, so preorder it now and save 30% for yourself and for everyone you know who loves video games, engaging fantasy worlds, and thrilling adventure!

    SEE BEST-SELLING ZELDA PRODUCTS AT TFAW

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  • Don’t Fear The Batman

    Batman and Robin #1

    The third annual Batman Day is September 17th, and who deserves a day of celebration more than the Caped Crusader? No one. It’s hard to overstate the impact that Batman has had on comic books.

    Quite possibly the most recognizable comic book character, Batman has appeared in more than ten thousand issues to date. He’s a genius detective who dedicates his time and incredible resources to the pursuit of fighting crime in his beloved Gotham City and beyond. He’s a complex and nuanced hero, whose story has been told again and again, subtly reforming in the same way that we build myths.

    For long time fans, Batman has changed significantly over his nearly eighty-year run, and with each new capitulation, he brings exciting new storylines. But for casual fans, or for those who have never picked up a Batman comic, the call of the Bat-Signal can be intimidating. Those thousands of issues represent quite a big backlog of reading to catch up on!

    So, in honor of Batman Day, we bring to you a new reader’s guide to the very best that Batman has to offer. Below, you’ll find several titles that help a new reader to gain some insight on the Dark Knight so that you’ll become a shining star on your Batman trivia team.

    Batman: Year One

    Batman: Year One

    As the title suggests, Batman: Year One chronicles the very beginnings of Batman as he starts out to become the savior of crime-riddled Gotham. Written in 1986 by Frank Miller (Sin City, 300) — who had already gained quite a reputation by then — and drawn by Dave Mazzucchelli (Daredevil: Born Again), Year One was the reboot that everyone had been waiting for after DC’s Crisis on Infinite Earths event.

    The story itself follows Batman as he struggles to gain footing as a vigilante and slowly rebuilds the entire story of the Caped Crusader. As this title was DC’s attempt at restarting Batman’s legacy, it is essential to read and a perfect starting place for a new fan. From here, you’ll know enough about the dynasty to explore even the most loose canon titles.


    Batman: The Long Halloween

    Batman: The Long Halloween

    By Jeph Loeb (Superman Batman, Fallen Son: Death Of Captain America) and Tim Sale (Hulk: Grey, Grendel), The Long Halloween is the quintessential Batman series, now collected into a beautiful graphic novel. Long heralded as one of the best Batman storylines, Long Halloween is a great starting point for new readers because it features the character at his best.

    The story unfolds as Batman hunts down an evasive serial killer who strikes Gotham on holidays, coming to critical mass at the titular Halloween. This story reminds the reader that Batman is a master detective and it artfully illustrates the relationship between Batman’s alias, Bruce Wayne, as the action unfolds before you. (Pro tip: Check out the awesome Batman Noir edition that came out in 2014. It’s absolutely beautiful and this is the exact story that’ll make you glad for investing in a nice copy.)


    Batman: Whatever Happened to the Caped Crusader?

    Batman: Whatever Happened to the Caped Crusader?

    Written by comic legend Neil Gaiman (The Sandman, Creatures of the Night) with art by Andy Kubert (Dark Knight III: The Master Race, Flashpoint), this is an unlikely pick for new readers to the Batman saga because it takes place right after Bruce Wayne’s death. Many new readers shy away from this particular title because of its place right in the middle of a major story shift, but it’s easily one of the most critical pieces of the Batman mythos. It is the narrative answer to a recap for Batman’s extensive history, featuring appearances from every major character from the comic series’ past.

    While it is not a typical Batman story, preferring poetics and a shifting narrative, it examines the character deeply and in a way that is liable to make even the oldest Bat-fans fall in love all over again.


    Batman: Arkham Asylum

    Batman: Arkham Asylum

    Grant Morrison (All-Star Superman, Doom Patrol) writes and Dave McKean (Violent Cases, The Sandman) illustrates this intense and psychologically challenging series that casts a long, dark shadow on the Batman story.

    Set within the heart of the legendary Arkham Asylum, where Gotham’s most disturbed villains have started a riot, Batman must face both his classic foes and himself to save the day. Arkham Asylum has a visceral story and Dave McKean’s surreal art leaves a lasting memory of the darkness that Batman has to face during its telling.

    This comic is essential for those readers who understand the importance of well-crafted villains for heroic storylines. While we don’t recommend this title as the very first Batman story you read, it should definitely be picked up shortly afterward.


    We Are Robin Volume 1

    We Are Robin vol 1

    Even more than Batman’s villains, the Caped Crusader’s allies are hugely important to his story, and there are none more so than his perennial protégé Robin. Writer Lee Bermejo teams up with artists Rob Haynes and Khary Randolph to explore another side of the city of Gotham through the eyes of several aspiring teenaged vigilantes, who all take up the mantle of Robin.

    This series reinvents the character of Robin, placing it not as the moniker for a single side-kick that works alongside Batman, but as a call to arms for the youth of Gotham. We Are Robin is cathartic and refreshing, reminding the reader that Batman doesn’t exist in a vacuum, because his influence inspires a generation of young people to take action against the corruption that they have uncovered in their city. We Are Robin is diverse and not at all pandering, while it discusses the themes of everyday heroism that began the Batman legacy in the first place.


    Batwoman: Elegy

    Batwoman: Elegy

    Batwoman is in many ways the true successor to Batman himself, and in Batwoman: Elegy, she is at her best. Perhaps the seminal work of Batwoman’s library, Elegy also happens to be one of the best works that helped to define Gotham outside of Batman himself. While his influence is felt throughout the story, the true hero featured here is Kate Kane, an heiress who chooses to use her vast resources to better Gotham by taking on the Bat cowl.

    During an investigation into a crime-worshipping cult, Batwoman faces off with a new villain who emulates Alice in Wonderland’s title heroine with a deadly obsession. Her encounter with Alice sends catastrophic ripples through Kane’s entire life and cuts to the core of what made her become a hero in the first place.

    Acclaimed writer Greg Rucka tells this engaging, fast-paced story which is brought to life by award-winning artist J.H. Williams III’s breathtaking work. Elegy is sparkling with action, and you’ll find yourself torn between dying to read what happens next and wanting luxuriate in William’s genre-defining layouts. Most importantly, Elegy introduces new readers to Kane’s own legacy and illustrates the lasting power that the cowl wields.

    SEE THESE AND OTHER GREAT BATMAN PRODUCTS AT TFAW.COM

    So what do you think? What is your favorite Batman comic? Join the conversation and leave your suggestions in the comments or hit us up on Twitter and Instagram at @TFAW.

    Batman Day at Things From Another World


    Visit any of our four locations for Batman Day to get in on special Batman Day savings on graphic novels and more. Plus, bring the kiddos so they can participate in fun Batman Day activities.

    LEARN MORE ABOUT BATMAN DAY AT THINGS FROM ANOTHER WORLD

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  • Batman Day is Coming Up Soon

    Batman Day

    Join us at our Oregon Things From Another World locations as we celebrate Batman’s enduring legacy with generations of fans during Batman Day on Saturday, September 17 from 11AM – 7PM.

    • Free Batman Day comic (Batman Day Rebirth #1 Variant) while supplies last
    • Fun activities for the kids
    • Batman Day Art Show
    • Special one-day-only savings on Batman products

    Special Savings In-Store & Online

    Stop by the shop to get 10% savings on Batman graphic novels (including Robin, Batgirl, Batwoman, Nightwing, Joker, Harley Quinn and more) and select Batman merchandise. Special 20% savings on some of our favorite Batman graphic novels!

    For those of you who can’t make it to our local stores, we’ll be offering special Batman Day savings at TFAW.com on Saturday, September 17th as well!

    Batman Day Community Art Gallery

    Do you want to display your Batman art at your local Oregon TFAW store? What about online? We’re looking to showcase awesome Bat-Art for Batman Day September 17th.

    Drop of a copy of your art at any one of our local TFAW stores by Sepbember 16th. Don’t live nearby? Email your art to (jpg format no bigger than 1200px) to social@tfaw.com to have it showcased here in our blog! Be sure to include contact information (website, social media profiles, deviantArt page etc)! Then, stop by the shop or come to the TFAW Blog to see your artwork, along with dozens of other submissions!

    Snap a Pic with Batman & Batgirl

    Want to meet the Dark Knight himself? Come by Portland Things From Another World from 11AM – 1PM and get your photo taken with Batman and Batgirl!

    Batman Day Edition of Geek Trivia in Milwaukie

    Think you know the most about Batman? Come prove it. We’ve partnered with our friends at The Beer Store Milwaukie to bring you a special Batman Edition of Geek Trivia from 8-10PM September 17th! Located just two blocks North of our Milwaukie Things From Another World location at the Beer Store Milwaukie for a pub-style trivia event complete with prizes.

    RSVP TO BATMAN TRIVIA ON FACEBOOK

    We’ll see you September 17th for Batman Day!

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  • AN INTERSTELLAR COLD WAR LOOMS IN HADRIAN’S WALL

    Review of Hadrians Wall #1

    Hadrian's Wall coverKyle Higgins, Alec Siegel, and Rod Reis launch an all-new sci-fi noir tale, set nearly 70 years in an alternate future in which the Cold War was ended through a joint space colonization effort between the U.S. and Russia.

    The story opens with the mysterious death of Edward Madigan, a worker for Antares Interspace, with ties to our protagonist, Simon Moore. Simon’s tasked to investigate this death on the labor ship, Hadrian’s Wall, located in an area with mounting hostilities. The story that begins to take shape has all the hints of intrigue, conspiracy, personal relationships, and seedy characters that are cornerstones of great noir tales.

    The book takes on a tone reminiscent of classic sci-fi films such as Blade Runner and Alien, while also delivering it’s own unique contribution in the form of ship design, fashion, and use of technology. The main character’s life seems to be more sterile and organized, which is at odds with the world around him that’s shown as more gritty and industrial.

    Hadrian's Wall page 1Hadrian's Wall page 2Hadrian's Wall page 3

    Kyle Higgins (Mighty Morphin Power Rangers, Batman Beyond) and Alec Siegel (Batman Beyond, C.O.W.L.) work great as a writing team. The dialogue seems to bounce with ease from character to character. The pacing of the panels is done with precision. And most impressively, the quiet moments in space are beautiful, lonely, and terrifying.

    Rod Reis (C.O.W.L.) delivers beautiful visuals that, even when full of blood, darkness, and scope, still feel focused, clean, and easy to follow. The aesthetic, while obviously inspired by sci-fi staples, feels like it’s a fresh take on those classics with interesting choices for fashion and interior design. Unlike a lot of sci-fi that feels like the creator’s idyllic world or worst nightmare, Hadrian’s Wall is more realistic in its depiction of the future.

    Hadrian’s Wall has the unique ability to stand on its own as a noir crime tale with a sci-fi setting, that we don’t often get exposed to. If you’re a fan of either genre, Hadrian’s Wall is something you should definitely check out.

    ORDER HADRIAN’S WALL #1
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  • NCBD: Supergirl and the Suicide Squad Join DC’s Rebirth

    New Comic Book Day 8/17/16

    This week brought a strong group of comics. For New Comic Book Day, we continue catch up with The Punisher and Daredevil as a conflict comes to a head, jump into the new Suicide Squad series, continue reading Jeff Lemire’s incredible Black Hammer series, and check out Supergirl’s Rebirth. Remember, these are only a few of this week’s new releases be sure to check the TFAW website to see even more. We’d love to know what you think of these books too!

    SPOILER ALERT — We try to keep from posting spoilers, but one may sneak through to our reviews now and again. Read with caution, true believers.

    Black Hammer comics at TFAW.com

    Black Hammer #16

    By: Jeff Lemire, Dean Ormston, Dave Stewart

    We last left Black Hammer with the whole team meeting up to reminisce their past lives with the hero (and their leader): the amazing Black Hammer.

    In this new issue we get to see a glimpse into the background of Gail Gibbons, aka Golden Gail, wherein she was given the gifts of the gods to fight to keep the world safe — or is it a curse? Now Gail, stuck in the body of a nine-year-old, is just trying so hard to get back the powers that she once felt burdened with. We also get to see Walky Talky and The Barbalien trying to get a probe outside the boundaries of the small town that they are trapped in. Also, we get to see a clash with one of their old foes, Doctor Sherlock Frankenstein (best name ever!).

    How will this “family” deal with all the troubles of trying to fit into the small town they’re stuck in, and what steps will they take to find their way home? Are they even in their universe, or are they in a pocket dimension? Could this be an elaborate trap by a villain from their past?

    All that, plus we still don’t know the full story of Black Hammer’s fate. I’m really looking forward to learning more in the next issue of Black Hammer. [Steve M. at Portland TFAW]

    Daredevil Punisher #4

    By: Charles Soule, Szymon Kudranski, Jim Charalampidis, Clayton Cowles

    Daredevil Punisher #4 completes the “Seventh Circle” story, and it’s been a great ride. DD and Punisher have worked together in the past, but they’re at odds this time over a gangster named Sergey Antonov. D.A. Matt Murdock is transferring Antonov to Texas so he can get a fair trial, but Frank Castle thinks he needs to be punished for his crimes.

    Soule wraps up the Daredevil Punisher miniseries in spectacular form, but I won’t tell you how this one ends, folks. What I will say is that it’s really great seeing how far both Daredevil and Punisher will take things, given their conflicting convictions. [Josh C. at TFAW.com]

    Suicide Squad comics at TFAW.com

    Suicide Squad #1

    By: Rob Williams, Jim Lee

    For anyone who wants to learn more about Suicide Squad after the wonderfully fun movie, you should definitely grab a copy of Suicide Squad #1! The story starts off with Amanda Waller’s inner monologue discussing why she assembled the Suicide Squad — she believes that bad can do good, and she’s . . . well . . . somewhat right!

    The group is sent to retract a cosmic cube in space, and as the group battles motion sickness, Williams provides a flashback of how Deadshot landed right into Amanda Waller’s Task Force X. It’s a great first issue, and I can’t wait to see where this one goes. Pick this issue up before it sells out! [Darcey M. at Universal City Walk TFAW]

    Supergirl Rebirth #1 by Steve Orlando at TFAW.com

    Supergirl Rebirth #1

    By: Steve Orlando, Emanuela Lupacchino, Ray McCarthy, Michael Atiyeh

    Supergirl Rebirth serves as a slingshot for those unfamiliar with Supergirl’s past and her place in the DC Universe. The issue starts with a flashback that establishes a potential threat (or possibly ally).

    In the new status quo that is the DC Rebirth, Supergirl only recently crash landed on Earth (like, a few months ago recent), and the D.E.O. is trying to make sure she becomes a hero like her cousin, Kal-El. They’ve assigned full-time handlers Eliza and Jeremiah Danvers to show her the ways of this planet and act as “parents” to her alter ego, Kara Danvers.

    I anticipate good things from writer Steve Orlando; we’re already seeing strong elements of a family drama for this series and I’m excited to see how Kara adapts to Earth and comes to understand our ways.

    Emanuela Lupacchino and Ray McCarthy are already a good pair, and I’m excited to see how they will continue to come together as a team. Their art is similar to that of Terry and Rachel Dodson, and I couldn’t think of higher praise than that. [Josh C. at TFAW.com]

    What did you think of these books? What should we review next week? Let us know below!

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  • Interview: Adam Markiewicz and Ben Fisher, “The Great Divide”

    23067

    the great divideIt’s the future and it’s a pretty miserable place: there’s a plague that makes physical touch lethal. Much of the world’s population has died, and the few survivors left have come up with a variety of adaptations to avoid contact. Is there a cure? Two young thieves think they’ve found a way back to the old world, but not everyone’s enthused about how things were before the plague…

    Learn a lot more abut the story in our exclusive (and funny!) interview with the creators of The Great Divide: writer Ben Fisher and artist Adam Markiewicz.

    TFAW: When did you get interested in comics, and what’s the first comic book series you remember really liking?

    Adam Markiewicz: When I was 9 years old, my dad bought me a copy of The Spectacular Spider-Man Annual #11 and it was loads of fun. The main feature guest starred Iron Man and Black Panther. The back-up story featured Rhino. I immediately went out and bought every Spider-Man comic on the stands. The adjective-less one was my favorite because of the art (this was when Todd McFarlane was drawing it). But I also read X-Men, Superman, Batman, and FF.

    Ben Fisher: I definitely lived and breathed Claremont’s X-Men and I loved Giffen’s run on Justice League Europe. Both of those books were really just different spins on the “outside, looking in” motif, and like so many adolescents, I strongly identified with that.

    TFAW: Can you tell us a little on how you first got into comics and your road to this new series?

    Markiewicz: My first legitimate job in comics was actually with Ben, as the letterer on Smuggling Spirits. From there, I did a bit of freelance but focused mainly on self publishing, including a my webcomic Trench Coat Samurai.

    Fisher: I “broke in” to the industry with Mike Henderson (Nailbiter, Illuminati) when we were lucky enough to win a back-up story competition at Viper Comics. Mike and I followed that up with the Smuggling Spirits graphic novel, which is how I met Adam. Flash forward a few years and a few books, and I pitched my Grumpy Cat editor at Dynamite a very, very different style of comic . . . and here we are!

    Running away from the tab, detail from "The Great Divide"
    Detail #1 from “The Great Divide”

    TFAW: The premise of The Great Divide is that there’s a highly contagious pandemic transmitted by physical touch. Where did you come up with the idea for this particular pandemic?

    Fisher: The concept is that one day, without warning, every human on the planet is simultaneously afflicted with “dermadik” — a condition that results in instant death when any two people make skin contact. I got the idea on a crowded bus, actually. I started wondering how many fundamental aspects of society would change if being in close quarters became a potential death sentence and the story sort of grew from there. It’s probably also a bit related to my own introversion.

    TFAW: There’s no explanation of what happened or why, we’re just dropped into the middle, very similar to The Walking Dead. Are you going to give us backstory as things unfold, or is that another story arc entirely?

    Fisher: Oh, absolutely. The first arc finds our protagonists stumbling onto the possible cause of the Divide, but then forces them to confront the difficult question of what to do with that information. And, of course, solving one puzzle often leads to a whole series of new, even stranger, mysteries …

    TFAW: Love the Roadkill Saloon as a setting for this portion of the story! Any fun back story on that one?

    Fisher: I wish there was — I feel like I should make one up! It’s really just an amalgam of various seedy midwestern biker bars, with a name that would be remembered by the reader (since it’s used to bridge the time between pre- and post-Divide). And I knew from the very first draft that the story needed to open with a “guy goes into a bar” joke.

    TFAW: Adam, I really enjoy your style. What other artists influenced and continue to influence you and your style?

    Markiewicz: Thank you! My biggest influences have been Walt Simonson, Howard Chaykin, Jaime Hernandez, Mike Mignola, Frank Miller, Chris Ware, and Shirow Masamune. I still look at their work constantly. When I was a teenager, I was actually more interested in film than comics, so I also take a lot of inspiration from John Carpenter (especially for this series), Stanley Kubrick, The Coen Brothers, David Cronenberg, and Sam Raimi. Recently, I’d say the two artists I look at the most are Mike Henderson (and not just because he’s a friend, but because his work is awesome) and Amy Reeder.

    TFAW: Do you use computers, tablets and software, or are you old-school with pens and a scanner?

    Markiewicz: I started the series old school, but I recently made the switch to a Cintiq. In fact, I went from real old school — with ink pens and brushes — to using markers and brush pens while drawing issue 1, and now I’m entirely digital. I also do the lettering, which was all digital from the beginning.

    TFAW: Right now, the series is planned for a 6-issue run. Do you have ideas for future arcs?

    Fisher: Without question. Adam and I truly love this broken, strange world and the people who inhabit it. We’ve outlined plots for a long stretch, with an opportunity to really expand the scope and stakes — so if readers are interested, there’s plenty of story to tell and more arcs will be coming.

    Detail #2 from The Great Divide
    Detail #2 from “The Great Divide”

    TFAW: What has it been like working with the folks over at Dynamite?

    Markiewicz: Any publisher that allows the amount of freedom we’ve had is top notch in my book. Especially when you consider that it’s a bit of a risk, backing a story with such unusual subject matter. It’s been great.

    Fisher: Dynamite has been an absolutely fantastic teammate throughout the process. Rich Young really championed the book early on in the pitch process and we will always be grateful for that — and to Nick Barrucci for having faith in the type of story we wanted to tell. Keith Davidsen and Anthony Marques have been invaluable keeping everything on track for the big launch in September (I know it’s not easy to corral us). And finally, although he doesn’t work at Dynamite, I’d be remiss to not give a shout out to my story editor, Jon Stark, who has made every script he’s touched better.

    TFAW: Who do you think is going to enjoy this series the most?

    Fisher: Certainly, anyone who enjoys dystopian subject matter like Walking Dead, Mad Max, or Y: The Last Man should have a good time in this world. But the series also focuses on our common fears of intimacy, human connection, and dysfunctional relationships in general, so fans of books like Sex Criminals and Pretty Deadly will also find our story touches on familiar themes in new ways.

    TFAW: What comics are you enjoying right now?

    Markiewicz: Hands down, my favorite comic right now is Rocket Girl. Ben also turned me on to Vision, which is an excellent read. I’d feel bad if I didn’t mention Nailbiter, but Lord knows Mike and Josh don’t need me to tell the world. I’ve been enjoying DKIII quite a bit, and Phil Noto‘s doing excellent work on the Poe Dameron book. Honestly, though, I just don’t get enough time to read comics. I’m too busy making them.

    Fisher: It’s truly a golden age for comics right now — there are so many great books on the shelf. I know I’m going to get in trouble for leaving brilliant titles off the list. But in addition to Adam’s recommendations, I can’t say enough nice things about Goddamned, East of West, Squirrel Girl, Monstress, and Injection. And I’m genuinely mad that I’m not writing Army of Darkness: Furious Road. It just oozes fun.

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  • Interview with Joelle Jones and Preview of Lady Killer 2 #1

    Interview with Joelle Jones

    lady killer 2, #1 coverWhat can be more all-American than a housewife who hosts Tupperware parties, has a hot meal on the table for her busy husband when he comes home, and is always ready with a kind word and plate of hot cookies for her children after a tough day of school? Well, if you’re Josie Schuller, you’ve got one more thing to juggle, because she’s also a killer, running a successful assassination business on the side. I mean, a girl’s gotta have something to break up the monotony, right?

    We first met Josie and the whole Schuller family in writer Joëlle Jones’ Eisner award-nominated Lady Killer series, but for the new storyline, they’ve just moved into a picture-perfect Cocoa Beach, Florida during the early years of the Space Race (the 1960s). Like Desperate Housewives, all the women in Cocoa Beach have lives completely independent of their worker-bee husbands, and while Josie is clearly trying to fit in with her Tupperware party, it’s a catty community of insecure, snotty women and she’s not really someone you want to piss off.

    The bigger problem is that someone else in the family actually knows her side job and doesn’t like it much at all. But would you want to confront the stone-cold killer in your family, or would you try your very best to stay on their good side? Yeah, me too.

    There’s a breezy fun about Jones’ story, a sort of Stepford Wives meets The Long Kiss Goodnight that is eminently readable — I’m definitely ready for the next installment as this first issue ends in a huge cliffhanger! — enhanced by the wonderful artwork of Michelle Madsen. Indeed, Madsen could easily be straight out of a time machine from an ad agency in the 1960’s, so faithfully does she capture technicolor shades of the era and enhances Jones’ art.

    Lady Killer 2 #1 Preview

    We were lucky to catch up with Joëlle to ask her a few questions about the Lady Killer 2 series. Here’s what she shared with us:

    TFAW: What was your original inspiration for the Lady Killer series? I loved the first series, where will you be taking Josie this time around?

    Joëlle Jones: The Schuller family has moved to Cocoa Beach, Florida, where life carries on as usual. Josie continues to juggle Tupperware parties, her kids, and a few human heads. However, when someone from her past tails her on a hit, she may be in for more than she bargained for.

    lady killer tpbTFAW: You chose a female protagonist with a decidedly dark side, then set it in ’60s America. What appeals to you about the tensions and duality of that era and her “side” job?

    Jones: I’ve always been drawn to stories about people with dual natures…and I thought setting the series in this particular time in American history really highlights that duality.

    TFAW: From the artwork, we figure that Lady Killer 2 takes place concurrent with the Space Race that was such a prominent part of Florida in the ’60s. Is that going to be woven into the story?

    Jones: Yes! Josie and her family move to Cocoa Beach because of her husband’s job. He works for a company that is connected to the aerospace industry..

    TFAW: Really love your style of art in this story too. How do you stay true to the ’60s artistic sensibility while still offering the visual pizazz that modern readers demand?

    Lady Killer 2 #1 PreviewJones: I’m constantly looking at the great illustrators from that mid-century period. I also try to keep up with current comics. So, I suppose those to things merge in my mind and translate to the page.

    TFAW: A family where Mom has a secret identity. Any chance Dad or the rather witchy mother-in-law might have something up their proverbial sleeve?

    Jones: Probably! But I’m not going to tell you about that here. I guess you’ll just have to read and find out!

    TFAW: You’ve brought Michelle Madsen in for the fun this time around. How did she become involved with Lady Killer 2?

    Jones: We only had Laura Allred for the first series and filling her shoes was a daunting task. I’ve always loved Michelle’s work and when we got the opportunity to bring her on to the team I was pleased as punch! She’s a perfect fit for the book. Amazing work!

    TFAW: For those who haven’t discovered Lady Killer yet, what’s your elevator pitch for the series?

    Jones: Ha! I get asked this a lot. “Donna Reed meets Dexter.”

    TFAW: What other projects are you working on right now?

    Jones: I’m going to be very busy for the next two years but I really can’t talk about it. Lots of exciting stuff!

    TFAW: What comic books are you enjoying right now?

    Jones: I just finished reading Harrow County and I loved it! Thought it was fantastic. I’ve been digging some of the DC Rebirth books and I’ve also been going back to some 90’s Punisher books. All great stuff!

    Lady Killer 2, #1, written by Joëlle Jones, art by Jones and Michelle Madsen. he first issue will arrive August 3, 2016, and the first two issues are available for pre-order – and you’ll want to pre-order this one, gang!

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  • Sneak Peek at Briggs Land #1 and an Interview with Creator Brian Wood

    Interview with Brian Wood

    You don’t have to look very far to find someone who wants to secede from their country, to set up a tiny nation-state of their own where they can make the rules that they think make the most sense. In certain parts of the Pacific Northwest there are even regions where groups have banded together to create their own countries. Like the fictional Briggs Land, the latest creation from master storyteller Brian Wood.

    We caught up with Brian and asked him some pointed questions about Briggs Land and what he was thinking as he created this exciting new series, a story that’s already been picked up by AMC TV to make into a series!

    But first, a preview of Briggs Land #1:

    Briggs Land #1 coverGrace Briggs is a family matriarch whose husband Jim rules Briggs Land, a hundred square miles of wilderness that’s set up as another country entirely. Drive up to the gate and signs state “You are now leaving the United States”. Problem is, the head of the Briggs family, Jim Briggs, is locked up in a Federal prison with a lifetime sentence for attempted murder. He still does his best to run the family and land, but Grace is fed up and wants to take control from her husband. So she shows up to his prison and tells him the news: she’s taking over. And there ain’t nothing he can do about it.

    It’s not going smoothly, however, from the FBI agents following Grace around to the Briggs boys being unsure whom to support during this family coup. Everyone else in Briggs Land also has to decide if their loyalty is with Jim or the upstart, Grace, who has really been running the land for years anyway. The results are the last thing that propper secessionists ever want: danger from within, as is clear when there’s an incident late at night, a threat to life and limb.

    This is clearly a story in the same vein as the popular TV shows Sons of Anarchy and Justified, and indeed, AMC is working with writer Brian Wood on a TV series based on the Briggs Land story. It’s  an engrossing tale, enhanced by the flowing sketch art of Mack Chater and Lee Loughridge.

    If you want a head start on the upcoming TV series so you’ll be the expert in your circle of friends, Briggs Land #1 is a must buy beginning of a powerful and intriguing series.


    Briggs Land preview page 1TFAW: What’s the inspiration for the Briggs Land series? It’s an intriguing storyline, for sure, and quite timely!

    Brian Wood: Timely, absolutely, but its been timely for awhile, going back, for me to the 90’s, with Ruby Ridge and Oklahoma City, which were my first exposures to the idea of domestic terrorism and this sort of off-the-grid secessionist culture. I should add that by terrorism I refer to Timothy McVeigh, not the Weavers.

    So that combined with the fact that in doing research for DMZ and later for Rebels, I came across a lot of material about US militia groups, hate groups, Patriots and Sovereigns, and it stuck in my head as something that would make a great series someday.

    Briggs Land preview page 2TFAW: You chose a female protagonist as the main character, wresting control of the Briggs family business and property from her husband? Love the dynamic, but what made you choose her rather than, say, one of their children to try a coup?

    Wood: An early version of this has the husband, the patriarch of the family, in control. A very Tony Soprano type of guy. Which certainly worked, but was also very typical – it read like a traditional sort of mafia story. And because of that the people I showed it to, including AMC, didn’t love it like I think they should. So after sitting with it awhile I decided to rewrite the pitch with the wife in charge, and the difference was night and day. It immediately brought forth all sorts of interesting conflicts, both in the Briggs family itself as well as the culture surrounding it, that just didn’t exist before. It made it ten times as rich and compelling, and that’s when people started to respond to it.

    Personally, it also gives me a chance to write a nuanced, complex mother character, something I have not yet done but want to.

    TFAW: What state do you have in mind as the setting? Idaho? Montana? And how does that affect the story in terms of FBI surveillance, etc.

    Briggs Land preview page 3Wood: It’s New York State, which may not initially seem like a place with a surplus of empty, rural land, but it has a tremendous amount of it. The fact its New York isn’t a primary element in the story, but it does enable us to bring in a more diverse cast simply because it’s an area far less homogeneous that say rural Idaho or Montana, which is pretty white. There’s also rust belt-esque elements upstate, such as decaying towns, abandoned mills and railways, and other things like that that let us cast this secessionist culture in not just a visually-interesting world, but an economically depressed setting that would support a large culture of disaffected types like the Briggs community.

    TFAW: Really love the art styles of Mack Chater and Lee Loughridge. How did you all come together for this new series?

    Briggs Land preview page 4Wood: I think I asked Tula Lotay for some suggestions, and Mack was one of them. I admit I had not heard of him before, as he’s new to comics (but has had a rich career in character and game design). But I found some samples that had this gritty, realistic style that seemed perfect for a crime comic, and lo and behold they were pages for a George Pelecanos comic! It was intimidating to ask him to work with me after working with someone like Pelecanos, but Mack was kind and said yes. And Lee… he’s a legend as far as I’m concerned, seeming to have worked on an endless list of amazing comics. It’s a great team. Plus Tula Lotay on covers!

    TFAW: You’ve said that the AMC TV series (congrats on that!) and the comic book published by Dark Horse will add to each other. Can you give us any hints on what we can expect?

    Wood: What I mean by that is the fact that I’m writing both the comic and the pilot at the same time, more or less, and that unique (I can’t think of another example of someone doing this) perspective allows me to step back and look at the comic from the POV of needing to adapt it, and to step away from the pilot script and look at the comic with fresh eyes, and use each of these Briggs Lands to support each other.

    Briggs Land preview page 5Maybe a better way to explain that is to say that since comics is a very finite space — only so many words in so many panels for so many pages — the show allows me to expand on characters and the world and in doing so, create an overall richer world. And the fact that the comic has no television producers laying rules down means we can get away with things in the comic we can’t put in the show.

    So at the end, for me, Briggs Land is both formats complementing each other to create an overall story that is greater than the sum of its parts. Each can stand alone, for sure, but together it’s richer.

    TFAW: In an ideal world, how many issues do you have planned for this series?

    Wood: Fifty? Maybe more? I’ve said that Briggs Land feels like DMZ in terms of it being this world that can support an endless number of stories. So it would be nice to have a nice long run like that.

    TFAW: You’ve worked with Dark Horse Comics on several other titles like The Massive, Rebels, EVE Valkyrie, and Aliens: Defiance. How has it been working with the folks over there from a creative perspective?

    Wood: I love Dark Horse (obviously). After Vertigo changed and it was no longer a publisher where I could do the sorts of books I wanted to do, I wanted to find a home that was stable and had a great support system to help these projects succeed. I can see the appeal of a publisher like Image, but I’m in this business to be a writer, not a self-publisher, or a publicist, or a sales rep, or any of that type of thing that takes away from the actual writing. There’s a team at Dark Horse that has my back, and I like that.

    TFAW: Who do you think is going to fall in love with this new series?

    Briggs Land preview page 6Wood: This is such a classic “Brian Wood” book that my regulars will absolutely find a lot to love. Like you said at the top, this is timely and relevant to mainstream current events and it doesn’t seem like that will change any time soon. This is also a crime drama, something that’s a little new for me, so there’s potential for fans of that genre to get into this. Plus the TV show element, which assuming all goes as planned, will open up a huge audience that may not be regular comics people.

    TFAW: What other books are you working on right now?

    Wood: There’s Starve and Black Road at Image. Aliens: Defiance and at least one other project for Dark Horse.

    TFAW: What comic books are you enjoying right now?

    Brian: I don’t read as many comics as I like, since my leisure reading time is consumed with research reading for my books, but when I do I tend to read titles written or drawn by friends of mine, rather than following certain characters or companies. So, Jason Aaron is someone I’ll always read, as is Greg Rucka and Warren Ellis.

    Great, thanks for the time and your thoughtful answers, Brian! We wish you the best of success with the new Briggs Land, and we’re definitely eager to see where you go with the series.

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  • Christopher Sebela Gives Us a Sneak Peek Inside the Newest Image Horror Series, “Demonic”

    Interview with Christopher Sebela

    demonic #1 coverNot only did I get a chance to read the first few issues of the upcoming Demonic series, but I also had a chance to hit up writer Christopher Sebela (High Crimes, We(l)come Back) with some questions about the series. And you’re going to love it!

    Demonic starts out as a classic cop drama, but there’s a weird undertone of demonic possession and a palpable presence of evil in the urban setting. The main characters are Scott and Dani, plainclothes beat cops who’ve been partners on the street for years. When a murder suspect bars herself in her apartment and drops the name Novo, Scott forces his way in for a private conversation, risking his life. But the murderer might be possessed or, worse, she might be evil itself, as she tells the cop “You’re already dead, just no one bothered to tell you.”

    Things then spin out of control for family man Scott, with the beautiful Aeshma showing up and offering a devil’s bargain of a life for a soul, and the story takes a decidedly dark twist as we learn about Scott’s background and his childhood. A childhood spent partially with the cult-like Novo clergy. A childhood that broke him, however much he seeks to heal or deny his past…

    TFAW: What’s the inspiration for the Demonic series? It’s a powerful storyline!

    Christopher Sebela: Thanks! Well, Demonic originally happened long before I showed up. Robert Kirkman and Marc Silvestri did the original #1 issue way back in 2009 as part of Top Cow’s Pilot Season. When I got asked to come on board and write the whole story, there was a lot of back and forth between myself, my editor Sean Mackiewicz and Robert. While we all liked that original #1 issue, we eventually came to the decision to take the foundation and rebuild it from the ground up.

    So, for me, the inspiration was very much about someone who appears to the world as a paragon of sorts and all the ugly things that everyone hides away under their exterior. Scott Graves is a cop, a husband, a father, he seemingly has it all, but he’s barely holding on to all of it. He’s had a lot of rough patches and is trying to be a better person, and the demons inside him become a bit more literal.

    TFAW: You chose a male protagonist to have a dark side as manipulated by Aeshma. Why male?

    Sebela: Scott Graves was already in place as the protagonist when I came on board, so I didn’t have a lot of choice there, but I thought it was an interesting dynamic to play with. Scott is, at first glance, very much the clean-cut, all-american generic hero-type dude role. And there’s nothing I love more than scraping away at that and showing how messed up people like that actually are when no one is looking. With Scott, it became about how he kind of deflects all the bad stuff he’s done onto other people in his life.

    demonic #1 sample artwork

    His partner, Dani, he pushes her away because of their past together. His wife and his daughter, he loves them, but he did wrong by them and maybe he kind of blames them for how hard he has to work at being a good person now. And Aeshma is the woman in his life of kind of exemplifies how he sees it all, a demon on his back who won’t let him forget who he is and what he did. It’s not a book that’s a huge screed about all this, but as tiny little subtle signifiers, I think it allows a couple of different ways to read into everything.

    TFAW: What city do you have in mind as the setting? New York, perhaps?

    Sebela: Yeah. At first I was going to sort of set it in “Anycity, USA” but the more I dug into Scott’s background and all the secrets that make up his life, it felt like a good match to put him in a city that gives off its own vibe of “greatest city in the world” but has a lot of corruption hidden away under the things we usually see in postcards and movies. NYC is a city that tears its past down and builds over it constantly, always trying to improve, always projecting a certain image, but it can never wipe away all those things that plagued it for so long. And still plague it. It’s very much is who Scott is, a guy who gives off one impression to everyone around him, but has a lot of ugliness tucked away under the surface.

    TFAW: Really love Niko Walter’s art in this story too. How did you connect with him?

    Sebela: That’s all due to my editor, Sean. He ran across Niko as we were working on the story and had that magic editorial eye that saw how his pages and my pages could come together to form something new and better. Collaboration is a weird alchemy and you can never tell exactly how it’s going to work out until you both get your hands dirty and start making the thing. Once I saw Niko’s initial pages, I was pretty excited about the kind of book Demonic was about to become.

    TFAW: Scott’s blade hand seems very Wolverine-like. An inspiration?

    Sebela: My head was a lot more in the horror sphere when working on Demonic, so I’d say Freddy Kreuger was a much more potent inspiration for me. The blades Scott wields as Demonic aren’t a part of him. They could just as easily have been bought at a flea market and shaped into the weapons he uses. I think there’s something infinitely more frightening about that, about knives as a whole, how they can be used, all the damage they can inflict while still leaving the victim alive. I think Wolverine would be way less likely to cut off pieces of a person with his claws than Scott is when he puts on his weapons.

    demonic #1 sample artwork 2

    TFAW: Who do you think is going to fall in love with this new series?

    Sebela: Definitely horror fans. And not just slasher enthusiasts, but the kind of slow burn horror in movies like The Babadook or The Witch, where you feel unsettled from the get-go but it’s no so much about the jump scare and the screaming as it is about the squirmy feelings and kind of mumbling “oh no” to themselves. People who like dramas like Breaking Bad or The Americans or Mr. Robot — anything that really gets in up to its waist in characters that feel real and slightly broken and seeing how they react when thrown into situations that are well beyond anything they’ve had to deal with before. I wouldn’t have signed on if there wasn’t the opportunity to really dig in to Scott and his family and his job and pick at the threads of these things to see what kind of corruption I can find.

    TFAW: What other books are you working on right now?

    Sebela: Right now I’ve got Heartthrob with Robert Wilson IV and Nick Filardi coming out from Oni Press, a sort of lighthearted romance/crime book about heart transplants and semi-imaginary boyfriends. Jonathan Brandon Sawyer and I have joined forces again after our book We(l)come Back. We’re doing a book at Stela that’s a grindhouse version of Thelma & Louise. I’m also working on a two-issue Killer Croc story for DC’s Suicide Squad: Most Wanted that I’m really excited for people to see. Lastly, I’ll be putting out a non-fiction book about the time I lived in Tonopah, Nevada’s Clown Motel for a whole month. And I have secret stuff I cannot talk about or someone will hurt me.

    TFAW: What comic books are you enjoying right now?

    Sebela: Right now I’m really digging Shawn Aldridge and Scott Godlewski’s The Dark and Bloody. Easily one of the best horror books being put out. Ed Brisson and Adam Gorham’s The Violent as I’m a big crime geek and Ed is a master of that. Kate Leth and Brittany Williams’ Hellcat is never not completely fun and a nice change of pace from my usual doom and gloom. Greg Rucka and Michael Lark’s Lazarus is great and has been great through its whole run. Josh Williamson and Andrei Bressan’s Birthright is a fantasy book and I don’t normally like fantasy stuff, but it’s so well done I have no choice. Pretty Deadly and Bitch Planet from Kelly Sue are both masterpieces. Wicked + Divine. Sex Criminals. Harrow County. I have so many books on my list that are so good that they make me mad they’re that good. And they make me want to be better. But mostly mad.

    Thanks for the informative interview, Christopher! And readers, grab a pre-order of Demonic #1 now, while you can. We think they’re going to go fast!

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  • Review: Snotgirl #1

    Review: Snotgirl

    snotgirl #1 coverFashion blogger Lottie Person has a problem: behind the beautiful makeup, perfect hair flip and gorgeous outfits, she’s actually anxious, insecure, friendless and clumsy around boys. She also has some major allergies and when they hit it’s not pretty. It’s why she imagines that her nickname should be Snotgirl, and in issue #1 of this lively and angst-ridden new series, she might just have found an allergy pill that’s going to affect other components of her life too. But not in a good way.

    If you’ve read the hugely successful Scott Pilgrim series — or seen the movie — you’re going to really like Snotgirl as they’re both from writer Bryan Lee O’Malley, though in Snotgirl he is working with artist Leslie Hung, who brings a bright, accessible style and sly visual sense of humor.

    Lottie is in her 20s, but is still defined as much by her anxieties and concerns as with her accomplishments and the mask she puts on to impress her few friends and the online world, which seems to be full of earnest, semi-stalker followers. She’s a fashion blogger! She has sponsors! She makes money sharing photos of herself looking gorgeous!

    But Lottie is really every boy or girl who is in the complicated, liberating and scary transition from being someone else’s child and being your own person, an adult who has dreams, successes and failures. And a somewhat debilitating allergy that makes her teary-eyed, her nose drip with snot and her face puff up. Not very romantic.

    This first issue moves along, light and cheery until the very last page, at which point there’s a hint of a deeper, darker and more complicated story yet to come in Snotgirl. Check it out, it might just be the next oh-so-modern hero from the pen of O’Malley and his artist partner Hung.

    Snotgirl #1, written by Brian Lee O’Malley, art by Leslie Hung.

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