Archive for the ‘New Products’ Category
Every month, our customers submit hundreds of product reviews that help others determine how great (or flat-out bad) certain comics, graphic novels, and other collectibles are. We took a look at the reviews that were submitted in July and are awarding $25 gift certificates as part of our monthly Product Review Contest. And the winners are (insert drum roll here):
Joe from East Northport, NY penned a couple really great reviews last month — his review for Bernie Wrightson’s Frankenstein HC caught our eye:
Great art in this beautiful hardcover. I have it as a coffee table book and company always has something to say and will take a look, mostly they all love it. Great classic story and the artwork to go along with it is amazing.
Our second winner is David from Nortonville, KS. He had this to say about Mark Millar’s newest book, MPH #1:
A nifty take on the super-speed power that takes place in a universe where no one can oppose it, supposedly. Well written, great art, an overall excellent read. Not an over-the-top book like Kick-Ass or Wanted though, at least by issue 2.
I am a huge fan of Millar’s work and while this isn’t his craziest story, it’s quite well written with characters you can relate to (or at least empathize with). The characters are believable with a relatable the-ends-justify-the-means mentality of the main character. I wouldn’t condone it, I’m just saying I can see parallels in the world we live in today. People feeling their only option out of a bad situation is through some sort of crime, but in the end a desire to just get out, go straight, and leave their bad start behind.
Last but not least, Gabe from South Australia dropped by to share his thoughts about our $3 Marvel Grab Bag Graphic Novels:
Wow! I ordered and received 3 graphic novels: Young Avengers Presents: Young Avengers, Friendly Neighborhood Spider-Man Volume 2 and Iron Man: I Am Iron Man. I’m astonished that I got these wonderful collections at the price I did considering the condition that they’re in. The ones I received look no worse than the ones I’ve seen in stores before (one of them had a fold in one page…that’s honestly it though). I’m almost certainly going to purchase more of these considering the price. Thanks so much for these fun surprises!!!
Thanks so much to everyone who wrote reviews last month. You’re helping people decide what to get (or what to avoid) next.
Remember, you don’t have to write a novel to win. Product reviews can be short and sweet, or highly detailed — as long as they help other customers, that’s what we’re looking for. So submit your reviews and help your fellow collectors sort out the “HOT” from the “NOT”! Who knows, you may be one of next month’s winners.
HOW TO SUBMIT A PRODUCT REVIEW:
It’s simple! Just visit any product page and look for this:
Click on it and our product review form will appear in a popup. Just fill out the pertinent information and submit your review, and you’re done! We’ll take a look at your review and get it up on the product page soon thereafter!
There’s also a really easy way for you to call up everything you’ve ever ordered from us and review it. Simply log in to your account and go into the Order History Section. Next to each item, you’ll see a “Review it!” link.
Questions? Comments? Let us know below!
What would you do if you had the uncanny ability to access and use the skill sets, memories, and abilities of different people around you? Andy Diggle’s new series, Uncanny, shows us just what a man can do when he puts his mind to it.
The exciting new crime series follows a character named Weaver, as he plays a dangerous game of international intrigue where the rules keep changing, the players are hidden, and the first thing he stands to lose is his life.
We had the chance to talk with Diggle and series artist Aaron Campbell about Uncanny, which hits the shelves on June 26 from Dynamite Entertainment. Check it out below, as well as our four-page preview!
TFAW.com: Without tipping your cards too much, can you tell us a little bit about your newest series, Uncanny?
Andy Diggle: It’s a crime thriller with just a hint of the paranormal. Weaver is a professional con man, gambler and thief-for-hire who possesses a special ability. He can steal a victim’s knowledge, skills, and abilities for a short time — their ability to crack a safe, hack a computer, practice taekwondo, or whatever else he needs to complete his mission. But the clock is always ticking. He has to finish the job before his time runs out and he loses his stolen skill-set. Then he’s in trouble.
TFAW.com: Weaver sounds like a really unique and interesting character. How long has this idea been percolating? What was the final piece to fall in line so that you could tell this story?
Diggle: Nick Barrucci approached me last year with a view to being part of Dynamite’s fledgling Crime Line, and I jumped at the chance. It’s exactly the kind of project I’d been looking for. When I first started developing the story, Weaver had a different name, and was more of a small-time loser. Making him more of a self-confident con-man type, and opening up the scale of the story, was when it really started to come to life for me. I realized he’d been conning himself. He’s spent his whole life running away, and we join him at the point in his life where he finally finds something to run towards. Even if it is trying to kill him.
TFAW.com: You’re no stranger to the crime genre, having written books like Snapshot, Six Guns, Rat Catcher, and The Losers. How has this series challenged you creatively compared to previous projects?
Diggle: I guess the biggest challenge when working in a specific genre is not to fall into cliché. There are certain tropes and conventions that crime fans might expect, so you have to steer around those traps, or invert them. That’s one of the benefits of having this subtle supernatural angle to the book–you can use it to hook out the clichés and spin them off into new and unexpected directions.
TFAW.com: How many issues do you have planned at this point? Does this series have a distinct end?
Diggle: I have the first six issues all mapped out, and we’re all hoping so see it continue long term. The first story introduces us to Weaver and his abilities, and opens up a whole new world for him. We can spend as long as we want exploring that world.
TFAW.com: You’re working on several books at once. Can you tell us a bit about how you move between projects?
Diggle: It’s a bit of a juggling act. In addition to Uncanny, I’m currently writing Doctor Who for IDW and Thief of Thieves with Robert Kirkman at Skybound, plus developing some new projects which I can’t really talk about just yet — including a second crime title at Dynamite. The key to keeping it all running smoothly is to lock down the story outline well in advance. Once the publisher approves it, they can just let you get on with it, and you can hit a steady rhythm of writing an issue a week. It doesn’t leave a lot of time for rewrites, though, so you pretty much have to get it right first time.
TFAW.com: How did Aaron Campbell come to work on the series? How has he been as a collaborator?
Diggle: Aaron’s been doing great work on Dynamite’s The Shadow, so it made a lot of sense for him to jump onto Uncanny, which has a similarly noirish feel, albeit contemporary. He’s been a pleasure to work with. I always try to strike up a correspondence with the artists I’m working with — usually we’re on different continents — and Aaron’s been a gent. He sends me his thumbnail layouts before he goes to pencils, which helps me iron out any kinks in my scripting before they make it onto the page.
TFAW.com: Hi Aaron! How involved were you with the character design process for Uncanny?
Campbell: Save for one small caveat, the Weaver you’ll see in the book was all my design based on Andy’s written description of him. The covers had already been completed, which I had not seen yet. So when I designed the character I drew him with very dark hair, while on the covers he is depicted with lighter hair. So I lightened his hair. Not a particularly interesting story, is it?
TFAW.com: Ha! No it’s always interesting knowing those little details. Can you take us through your process? After you get the script, how do you get your head in the game?
Campbell: Well, assuming that my head ever has the opportunity to come out of the game, I would imagine that my process isn’t too different from anyone else whose style is based more on realism. I start with layouts, though typically I don’t do them all at once. I break the book in chunks based on the different locations in the script and focus on them one at a time. Once I get approval on that set of layouts, I’ll design the space and shoot my photo reference. I then do my pencils digitally, print them out blueline, and ink over the digital print. Something new I’m doing for this book, though, is working at a Golden Age scale. My original pages measure 14.25″ x 22″. I’m really liking it, too. I can get in there with big tools and really work the page over with much more of a fluid line.
TFAW.com: You’ve worked on a bunch of Dynamite books, from Dark Shadows and Sherlock Holmes to pulp books like Green Hornet and The Shadow. Has Uncanny posed any unique challenges compared to your other work?
Campbell: For the first time ever I’m working in the here and now. I get to hang up my trenchcoats and fedoras and put away my classic car models. And I no longer have to pore through research trying to reconstruct what some place might have looked like back in the 1930s. Not that I wouldn’t want to do more period work in the future, but it’s quite a relief actually to take a break from it.
TFAW.com: How’s it been working with the folks at Dynamite, Andy?
Diggle: Blissfully stress-free, I’m happy to say. They pay me well and on time, and they don’t mess around with the story. What more could a writer wish for?
TFAW.com: What’s your favorite part about working in the comic book industry, Aaron?
Campbell: There are so many great things about working in the comics industry that it’s hard to pick a favorite. For one thing, I get to do what I love to do. I get to work from home. I get to go to awesome cons and meet great fans and become friends with amazing creators. It’s really a dream career.
TFAW.com: When you picture the person reading Uncanny, what other books would you say they’re reading right now?
Diggle: Comics-wise, they’d probably be into Garth Ennis, Ed Brubaker, Jason Aaron, and Greg Rucka. That’s good company to be in.
TFAW.com: What are the favorite comics that you’re reading right now?
Diggle: I’m not reading a lot of monthly titles these days — I have a stack of trades still waiting to be read, and I haven’t even cracked open my Marvel Unlimited account yet. It’s mostly indy genre books that draw my interest – Fatale, Manhattan Projects, Saga. I was a big fan of Thief of Thieves even before I was invited to join the team, so that was a real thrill. I don’t read a lot of spandex these days, but Matt Fraction and David Aja’s Hawkeye is fantastic — and pretty much spandex-free, now that I think of it. It reads more like a smart, postmodern crime book than a superhero comic. Highly recommended.
Campbell: Right now I’m reading Fatale, Andy’s other book Snapshot, Hellboy, Hawkeye, and that’s about all I have time for. And I can go on for a very long time about all the artists that inspire me. But if I’m just talking about people who were working today, Sean Phillips, Jock, Tommy Lee Edwards, David Aja, and JH Williams are a definitely on the short list of artists I’ve been paying a lot of attention to lately.
TFAW.com: What else are you excited about/what other projects do you have coming up?
Diggle: The final issue of our creator-owned thriller Snapshot is out in May, which is incredibly exciting for me and Jock. The first three issues have done better than we ever hoped, and I can’t wait to see the trade. I’m also developing another Crime Line book at Dynamite over the next few weeks. It’s about sex, power, and crime, so that should be good, not-so-clean fun. I’m also developing an action thriller for another publisher, which I can’t talk about just yet. Plus I’m writing a new creator-owned miniseries this summer. So I’m crazy busy — and I wouldn’t have it any other way!
Campbell: I really don’t have much time to devote to any other projects right now, but there’s a possibility that you might be seeing more of me on Dynamite covers this year. I’m also very excited for the con season and will be attending HeroesCon this year for the first time. So if you’re in Charlotte in June, come by!
We want to thank Andy Diggle and Aaron Campbell for taking time out their busy schedules for this interview! Make sure to pre-order your copy of Uncanny #1 by April 30 to save 35% off the first issue as part of this month’s featured discounts!
What do you think about Uncanny? Going to add it to your pull list? We’re definitely on board. Please post your comments below.
It’s been over four years since 100 Bullets ended with a bang. That’s why we’re psyched that Brian Azzarello and Eduardo Risso are teaming up for another chapter of the award-winning series this summer. 100 Bullets Brother Lono is a brand-new eight-issue miniseries that follows one of our favorite characters to Mexico.
When last we saw Lono, Dizzy Cordova had shot him through the chest. . . but Lono always was too tough to die. Now, after the final events of 100 Bullets, Lono finds himself in Mexico working on the side of the angels. But there’s always more to a 100 Bullets story, so pick up this extra-size first issue to see what’s really going on with Brother Lono, the cold-blooded killer you hate to love!
Good news for those who already have series subscriptions set up for 100 Bullets–your issues of the Brother Lono miniseries will automatically be ordered and sent to you when they get here!
You’re going to love this series. June 19 can’t come quick enough!
Are you excited to see what happens to Lono? What other 100 Bullets characters would you like to see star in their own miniseries? Post your comments below.
A new epic begins with the debut of the new ongoing Batman Superman comic book series! Don’t miss the first fateful meeting of Batman and Superman in The New 52.
Helmed by Greg Pak (Incredible Hulk, X-Treme X-Men) and featuring the stunning art of Jae Lee (Dark Tower, Before Watchmen: Ozymandias), this is one series you won’t want to miss.
“We’ve been given the incredible opportunity to show these two icons meeting for the first time at this very early and raw stage in their careers,” Pak told USA Today. “Neither one of them has ever heard of the other guy.”
Pak went on to say that this is “a really exciting place to discover who these guys are, and the things we’re going to discover particularly in this first story arc will have ramifications later on down the line. We’re going to start in the past but it’ll reverberate through. It’ll be big and crazy and tons of fun.”
The series is also available as a Combo Pack edition that comes packaged with a digital download code for the issue.
This is a great option for people who want to store the physical copy of the book for collectible purposes and use the digital code to read the issue. Or, you could get the book for yourself and pass along the digital version to a friend! Sharing is caring, after all.
Are you excited to see the first meeting of Batman and Superman in the new Batman Superman series? How do you think that’ll play out? Post your comments below!
Agents Mulder and Scully reunite for the new, ongoing X-Files Season 10 comic book series this June! For years they investigated the paranormal, pursued the “monsters of the week,” and sought the truth behind extraterrestrial activity, along with the grand conspiracy surrounding it rooted deep within their own government.
Series creator Chris Carter ushers The X-Files into a new era of technological paranoia, multinational concerns and otherworldly threats, but this time, it’ll take more than a desire to believe to make it out alive.
You’ll save 35% off X-Files Season 10 #1 when you pre-order your copy by 4/30 as part of this month’s Featured Discounts. You can also lock in this great price when you set up your X-Files Series Subscription by 4/23.
Are you excited for X-Files Season 10? What was your first experience with the X-Files TV show? Post your comments below!
This December, Geoff Johns pits the Justice League against Aquaman’s brother and the whole of Atlantis! The new Throne of Atlantis story begins in Justice League #15 and continues in the pages of Aquaman.
As the team grows to trust each other, they’re going to deal with some of the things they don’t know about each other. This is the debut of Atlantis to the New 52 universe, and you can bet that the surface world will never be the same after this story. Throne of Atlantis marches us toward DC’s tentpole event of 2013, Trinity War, so don’t miss out on any of the action!
Like we’ve done for all of DC’s special crossovers–Death of the Family, Rotworld, H’EL on Earth, Throne of Atlantis, Hawkman Wanted, Rise of the Third Army, and Before Watchmen–we’ve created a special page that will serve as your one-stop shop for all the Throne of Atlantis comics.
Are you excited for this story? Are you digging Aquaman? Post your comments below!
Amazing Spider-Man relaunched in 2008 with a three-times-a-month publishing schedule. With epic storylines like The Gauntlet and Grim Hunt, it’s remained a consistently good book over the years, offering new spins on classic heroes and villains.
All good things must come to an end, and that time is now. We’re now taking pre-orders for the final issue: Amazing Spider-Man #700. The issue weighs in at 104 pages and you’ll save 20% off the $7.99 price, making your copy just $6.39.
Don’t cry for too long, though. You’ll still be able to buy Spider-Man comics. Plus, he’ll be back soon in the new Superior Spider-Man series. We’ll update the Marvel NOW! page when the first issue is available for pre-order (likely later this month).
It’s pretty clear that now is the time to buy Hellboy comics. An all-new era for the world’s greatest Paranormal investigator is so close we can taste it. After saving the world in Hellboy: The Storm and Hellboy: The Fury, but sacrificing himself and Great Britain, Hellboy is dead, cast into Hell, where he finds many familiar faces, and a throne that awaits him.
Mike Mignola returns to draw Hellboy’s ongoing story for the first time since The Conqueror Worm. Hellboy in Hell is a story only Mignola could tell, as more of Hellboy’s secrets are at last revealed, in the most bizarre depiction of Hell you’ve ever seen.
Big things are in store for the Lantern family of books this October. BIG THINGS. The epic Rise of the Third Army event will span all of the Lantern books, and we’ll be introduced to the Third Army. Once upon a time, the Guardians formed the Green Lantern Corps with the idea that they would protect the Universe. As the Guardians lose faith in the Corps, they summon the Third Army to wipe out the Corps.
What is the Third Army, and how will our favorite ringslingers weather this coming storm? Who is the new Earth-born Lantern? What is the role of the First Lantern in all of this? Find out this October!
You can order all four crossover issues today–just visit our special Rise of the Third Army page to see all the issues.
Writer Christy Marx has been working in the comics and television industries for some time–’80s classics Jem, Teenage Mutant Ninja Turtles, and G.I. Joe are just a few of her credits–so you can imagine our exhilaration when we had the opportunity to conduct a “truly outrageous” interview with her this month.
Read along to find out what drew her to comics, how she almost almost opted to be an artist, and about her new series, Sword of Sorcery, which will bring Amethyst to The New 52 next month.
TFAW.com: What are your earliest memories of comics? What was the first comic you read?
Christy Marx: I was equally obsessed with both comic books and newspaper comic strips. I’d cut the adventure strips out of the paper, paste them onto pages and color them. When I was very young, I found a comic at my grandmother’s house that had a story about an invincible, homicidal robot. I’ve never been able to find anyone who can identify that comic, but it made a powerful impact on me.
But the one that finally pushed me over the edge was a comic I found in my desk at school in third or fourth grade. It was a Challengers of the Unknown and, if I remember correctly, involved dinosaurs on a spaceship. I spent the class secretly reading the comic rather than paying attention. From that moment on, I bought every comic book I could afford.
TFAW.com: What inspired you to become a writer, and when did you first begin to explore that creative outlet?
Marx: It took me a long time to realize I was a writer. I went down a false path thinking I was going to be a comic book artist, and I was in my 20s before I realized that I didn’t have that talent. The truth is that I was driven to be a visual storyteller and had always been weaving stories and creating characters, so I simply shifted my focus entirely onto the writing.
TFAW.com: You’re a prolific writer. With TV series like Jem, G.I. Joe, Teenage Mutant Ninja Turtles, and Captain Power in your credits, I can tell you that you’ve brought joy to a lot of kids out there. What are some of the favorite moments of your career so far?
Marx: One high point was when writing the animation series, Jem and the Holograms. I wrote a two-part episode that involved runaway kids. At the end of each episode, we ran a help-line number and they were absolutely flooded with calls from kids who needed help. It brought home to me what can be accomplished with popular media.
And pretty much any time I get to see my name as a screen or print credit is a favorite moment.
TFAW.com: How did you break into the comics industry?
Marx: It was a combination of luck and preparation, as these things usually are. I lived in L.A. at the time and Roy Thomas had just moved to L.A. while still working for Marvel. I found out that he’d be speaking to a group of fans in a small setting (not a convention), so I showed up with a Conan story I’d written, listened carefully to the questions being asked, and then at the end asked him the question nobody else had the bothered to ask. While I still had his attention, I asked him if he would read the story. He did and he bought it and that was my first sale.
TFAW.com: How did your experience writing for TV translate to writing comics?
Marx:Technically, the comics came first. It was after I’d made a couple of comic story sales that I had the chance to write for a Fantastic Four animation series. The writing format was completely different, but the general sense of visual storytelling carries over.
TFAW.com: How has your experience been as a female creator in the comics industry?
Marx: Excellent. I’m not sure whether I was amazingly lucky to fall in with the right group of people or whether it was my own attitude, but I didn’t encounter any obvious barriers to writing for comics. I never stopped to think about the fact that I was female or that there would be any reason I couldn’t do it. I simply got out there and did it. After I had been writing both comics and animation for years, I would find that I was considered special because I was a woman writing action-adventure. I wrote it because that’s what I enjoyed writing.
TFAW.com: What’s your favorite part of telling stories in the sequential arts?
Marx: Telling a good story with interesting, compelling characters and a satisfying conclusion. Which, by the way, applies to telling a story in any medium.
TFAW.com: What are three things you think comic book publishers should be doing to attract female readers?
Marx: 1) Less mindless action and graphic violence; 2) less hypersexualizing of female characters; 3) better and deeper character development.
TFAW.com: What aspect of comics have you struggled with, as a writer?
Marx: Getting work solely as writer without having an artist attached to a project. It’s so much tougher for a writer than it is for an artist.
TFAW.com: What advice can you give aspiring writers or comic book creators?
Marx: I put tons of advice into my book, more than I have time to repeat here, so at the risk of coming across as self-serving, I’m going to point people to my book: Writing for Animation, Comics and Games.
TFAW.com: Whose work has had an influence in your writing?
Marx: Mary Stewart, Isaac Asimov, Ray Bradbury, J.R.R. Tolkien, Michael Moorcock.
TFAW.com: Who’s one woman in comics that you admire?
TFAW.com: What was the last comic you read?
Marx: I tried to honor the previous series, which I read when it first came out, but give it a reboot for today’s audience. It skews slightly older and I’m doing a lot of new world-building. There’s an entirely new set of characters. Amy is 17 and has a difficult relationship with her mother, who happens to be a powerful woman in exile. When they return to their home world the entire balance of power shifts, causing all sorts of intrigue, strife, betrayal, and not to mention more than a few assassination attempts.
TFAW.com: What projects do you have coming up soon?
Our thanks to Christy for taking the time out of her busy schedule to chat with us about her experience in the comic book industry. Be sure to check out her newest comic book adventure when Sword of Sorcery begins on September 19.