Tag: jordie bellaire

Latest stories

  • , , , ,

    The Unstoppable Will vs. The Unstoppable Mouth

    The main difference between The Punisher and Deadpool is motivation. Both appear to be sociopaths. But Frank Castle is driven by vengeance and Wade Wilson’s main concern is his paycheck. Neither wants to admit how deeply they are actually driven by emotion.

    In Deadpool vs. Punisher #1, Fred Van Lente serves up a script that puts these two on opposite sides of an ambiguous moral scenario.

    Wilson and Castle are very familiar with each other’s work. Wilson thinks Castle is a “self-righteous, sociopathic, shoot-first-ask-questions-never, humorless, fascist hard-ass.” Castle views Wilson as a “motor-mouthed, muddle-headed, arrested adolescent with delusions of competence.”

    See the World. Fill it Full of Bullets

    Deadpool vs. Punisher #1 opens with Punisher working undercover at an underground illegal gambling club. “VS.” is a place where degenerates gather to place wagers on superheroes. Some names on the board include Spider-Man (original, probably), Captain American Falcon, and Guy who thinks he’s Hercules.

    After Punisher violently shuts down the club, he gets the information he’s been after. That’s when the desperate club manager gives up details on The Bank in order to save his own life. The Bank is Castle’s true target. But he’s also Wade Wilson’s accountant, money launderer, client, and close friend.

    Pere Perez’ artwork suits the script perfectly. And there are plenty of background details, but not so many as to distract from well-planned action sequences. In addition, he nails the expressions on the unmasked characters. Perez brilliantly telegraphs nuanced expression through Pool’s mask and body language.

    Van Lente sets up an interesting “best of five rounds” scenario. With a clear winner in each of the planned five chapters, Deadpool is playing with a loaded deck. With his regenerative abilities, he can afford to lose four of five battles and still come back for the next installment. Punisher doesn’t have the same luxury.

    SEE WHAT HAPPENS NEXT AND PRE-ORDER THE REST OF THE 5 PART SERIES

    Deadpool vs. Punisher #1, Marvel Comics, April 12, 2017, Written by Fred Van Lente, Art by Pere Perez, Color by Ruth Redmond, Letters by VC’s Joe Sabino, Cover by Declan Shalvey and Jordie Bellaire, $3.99

    Please follow and like us:
  • , , ,

    Batman #16: I Am Bane

    Batman has consistently been one of DC’s top books in terms of sales and quality. It doesn’t hurt that writer Tom King and artist extraordinaire David Finch have now teamed up to present the next story arc–I Am Bane.

    batman#16 variant
    Batman #16 (Variant)

    In Batman #16, King writes a compelling first chapter to the story, picking up on unfinished threads from earlier issues while continuing to advance the tale. After previously kidnapping the Psycho-Pirate from Santa Prisca, team Batman must heal Gotham Girl while waiting for Bane’s inevitable counterattack. With knowledge of the Caped Crusader’s secret identity, when that counterattack comes, it is as brutal as it is personal.

    Bane is Coming and No One is Safe

    But it’s not a maudlin story–at least not yet. King takes every opportunity to imbue humor. There’s a hilarious visit to the fast-food restaurant Batburger, where patrons are encouraged to “Jokerize” their meals of Night-Wings, Robbin Nuggets and Bat-Mite Meals. Needless to say, Bruce Wayne is not amused.

    As great as his words are, King knows when to let Finch’s artwork carry the story. The first four pages are nothing but compelling images that tell a story without words getting in the way. Finch is at home with these characters. Bruce as stoic as ever, while Damian Wayne exudes cockiness. And Dick Grayson is clearly his laid-back self. The sexual tension between Batman and Catwoman is palpable before you ever read their dialogue.

    It’s great to see the creative team at the top of their game. It bodes well for the rest title and the rest of the arc–though Batman himself may end up paying the price.

    FIND OUT WHAT’S NEXT AND PRE-ORDER BATMAN #17: I AM BANE (PART TWO)

    Batman #16, DC Comics, Released February 1, 2017, Written by Tom King, Art by David Finch, Color by Jordie Bellaire, Lettering by John Workman; $2.99.

    Please follow and like us:
  • , , ,

    Justice League #12 goes deeper into Justice League vs Suicide Squad

    Let’s get crazy with Moon Knight, bite off more than we can chew with Nailbiter, and learn some new things in Justice League this week. As always these are only a few choice highlights from this weeks new releases. Check out our other blog articles to see our thoughts on other books. Be sure to comment or share our post on Facebook or Twitter if you like our articles!

    SPOILER ALERT — We try to keep from posting spoilers, but one may sneak through to our reviews now and again. Read with caution, true believers.

    Justice League #12
    By: Tim Seeley, Christian Duce, Tony S. Daniel

    As a tie-in to Justice League vs. Suicide Squad, Justice League #12 gives us a view inside the motivations of the event’s villain, Maxwell Lord. Captured by Amanda Waller, Max is under interrogation the entire issue. But is he really the one being interrogated? This book cuts between the present interrogation, and various scenes of Max’s career.

    Tim Seeley continues to be one of the best go-to writers DC has. His understanding and treatment of characters always honors their past but pushes them into the future. Christian Duce’s art is wonderful; to the point that I’m surprised I haven’t seen his work on a more consistent basis.

    Tie-ins can feel like less of a whole story sometimes. This team, however, brings a stand-alone issue that actually enhances the whole event. [Mikey N. at TFAW.com]

    GET ON BOARD JUSTICE LEAGUE VS. SUICIDE SQUAD

    Nailbiter #28
    By: Joshua Williamson, Mike Henderson, Adam Guzowski

    28 issues and still going strong. With the last issue leaving off with Alice coming home to her mom being attacked. She snaps into action saving her. But for how long? Someone is planting bombs under Buckaroo Oregon, but I think this may just be a distraction. It seems this person may want the whole Nailbiter family instead.

    Joshua Williamson and Mike Henderson have been at this from the beginning. Mike’s dynamic art really pops with Adam Guzowski’s colors on this issue, especially when it comes to the explosions.

    If you’ve missed out on this series at the beginning. It’s worth the catch-up. [Martin M. at TFAW.com]

    CATCH UP WITH NAILBITER

    Moon Knight #10
    By: Jeff Lemire, Wilfredo Torres, Greg Smallwood, Jordie Bellaire

    Death and Birth starts now! Though this is issue #10 this is a great jumping on point. The team of Jeff Lemire, Greg Smallwood and Jordie Bellaire do an amazing job of pulling you into Marc Spector’s insane life. A new glimpse of his history, a splash of his present predicament, and a proper push to more adventure take place in this issue.

    Take your time with this issue. There are little treats for the eye in almost every panel. In addition, Lemire captures your emotional spectrum once again. With brilliant storytelling, pacing, colors and panel layout, you will not be disappointed! Just when you thought it was over…MOON KNIGHT takes off! [Sean W. at TFAW.com]

    JOIN ONE OF MARVELS MOST INSANE HEROES

    What did you think of these books? What should we review next week? Let us know below!

    Please follow and like us:
  • , , ,

    Do You Believe In Magic?

    We all know Stephen Strange is the Sorcerer Supreme, but he is also the latest in a line of magic-users to carry this mantle. In Marvel’s new series Doctor Strange and The Sorcerers Supreme we get to examine those Sorcerers who came before and even after our beloved Doctor.

    Dr. Strange and the Sorcerers Supreme #1 opens on Merlin, because of course Merlin was a Sorcerer Supreme, who is trying to contain an ancient evil known as The Forgotten. Forced to betray the orders of King Arthur, Merlin travels forward in time to recruit Stephen Strange in his battle against The Forgotten. But Merlin finds a very different Strange than he was expecting.

    If you’ve been following the current Doctor Strange comic then you know that a being known as the Empirikul has robbed the world of almost all magic. Strange is introduced battling a demon with what little magic he has left.

    We come to find that Merlin has formed what is basically the dream team of Sorcerers from across all time and space. You’ve got Sir Isaac Newton, an all grown-up future version of Wiccan, and in a very fun twist, a much younger version of Strange’s own mentor–The Ancient One.

    Released to coincide with Doctor Strange’s first foray onto the big screen, this book has all the trippy, magic fun you want out of a Doctor Strange adventure. Robbie Thompson’s script moves along at a fast clip and keeps you engaged with its growing insanity and high stakes. The art in the book from Javier Rodriguez is also top notch–every panel is bursting with otherworldly imagery and big action.

    Get more wizardry with Son of Merlin.

    Doctor Strange and The Sorcerers Supreme #1, Marvel Comics, Released October 26, 2016, Written By Robbie Thompson, Art by Javier Rodriguez, Color by Jordie Bellaire, Letters by Joe Caramagna, $3.99

    Please follow and like us:
  • , , , ,

    Frank Castle Takes Down a Drug Ring in Punisher #5

    NCBD featuring Punisher, Cyborg, Trinity and Aliens

    Has it really been a week since our last New Comic Book Day comic book review? Man, time flies. Here are a few of this week’s new releases that stood out from the crowd. Check out our other blog articles so see our thoughts on other books. Be sure to comment or share our post on Facebook or Twitter if you like our articles!

    SPOILER ALERT — We try to keep from posting spoilers, but one may sneak through to our reviews now and again. Read with caution, true believers.

    Aliens comics at TFAW.com

    Aliens: Life & Death #1
    By: Dan Abnett, Moritat, Rain Beredo, David Palumbo

    The Aliens comic book series joins the Life and Death crossover story in the shared Aliens/Predator/Prometheus universe. While we’re coming in later in the story, Aliens: Life and Death #1 doesn’t make a new reader feel like they’re late to the game. Sure, this issue drops us in the thick of the action, but isn’t that where you want to be when you’re reading a crossover? I would say yes.

    Dan Abnett’s story shines here — the pacing sucks you in and keeps you on the edge of your seat as the action unfolds before you. If you’re a fan of the Aliens films, underdog stories, or bloody action and gore, this story is for you! [Josh C. at TFAW.com]

    Trinity comics at TFAW.com

    Trinity #1
    By: Francis Manapul, Clay Mann

    Since the launch of DC’s Rebirth, a question that’s been on everyone’s mind is how the original Superman is going to fit into a world that’s not his own, and how will he interact with a Batman and Wonder Woman that were a friend and lover to their world’s now fallen Superman.

    To force the confrontation of this question, Lois invites Batman and Wonder Woman over for dinner to Superman’s surprise. What unfolds is a rekindling of friendships that never really existed as each character reminisces on things that the other has no recollection of. What we get from this is an acknowledgment that no matter what reality each character came from, at their core they’re still the same person.

    Where I think most writers would try to bring these characters back together with conflict, Francis Manapul brings them together like people, solidifying the mission statement of the Rebirth movement, that it’s about legacy, not reinvention. Combine his writing with expert art, what we get is a book that I think will be one of the key titles to follow over the coming months as the big picture of this world develops. [Mikey N. at TFAW.com]

    JOIN THE NEW TRINITY SERIES TODAY!
    SEE OTHER REBIRTH ISSUES

    Cyborg comics at TFAW.com

    Cyborg #1
    By: John Semper Jr., Will Conrad

    Within Cyborg #1 we get a quick glance at what may be our main villain, an unnamed assailant that looks like a failed attempt at Cyborg. Our hero is doing what he does best, stopping Detroit’s worst from committing crimes. Afterward, his father makes him go through tedious diagnostic tests to make sure everything is working properly. While not coming out with his anger we can tell that something is wrong with Cyborg, emotionally. We find out that he his questioning his humanity and whether he has a soul. The fact that his father is struggling with these same existential questions adds a healthy dose of family drama.

    John Semper Jr. does a great job getting us up to speed with the character, who he is, his environment and how he works within it. The storyline is an old one, but one that is never tired of being explored — Am I Human?.

    Artists Paul Pelletier, Tony Kordos, Scott Hanna, and Guy Major give this issue a greatly detailed issue that harkens back to the standards of superhero comics. [Martin M. at TFAW.com]

    LEARN MORE ABOUT CYBORG BEFORE HIS BIG SCREEN DEBUT

    Punisher comics at TFAW.com

    Punisher #5
    By: Becky Cloonan, Steve Dillon, Frank Martin
    Declan Shalvey, Jordie Bellaire

    Becky Cloonan’s Punisher story has been intense. Frank is out to take down a drug ring being run by a mercenary outfit called Condor. He’s run into people from his past, had a run-in with a couple of D.E.A. Agents, and now it’s time for him to get to do what he does best — Punish wrongdoers.

    The Punisher #5 is a strong issue. Cloonan packs the book with some fantastic (read: violent) moments, and Steve Dillon has a chance to be realy expressive. You can see the psycho behind the eyes of the issue’s main protagonist, Face. Colorist Frank Martin knocks it out of the park — identifying light sources to inform shading, including little things like textures on walls and floors, and his use of the rich red hues from blood. I’m a fan.

    With all of the action and major revelations this issue brings, I’m SUPER excited to see where team Punisher takes us next. [Josh C. at TFAW.com]

    CHECK OUT EVEN MORE PUNISHER PRODUCTS

    What did you think of these books? What should we review next week? Let us know below!

    Please follow and like us:
  • ,

    Review: Batman #6 – I Can Help with the Pain

    Review Batman #6

    batman #6 coverIn Batman #5, we saw Gotham Girl give up the goods on her brother Gotham. Not only did she spill it, giving up the secret that gave her and her brother Hank their super abilities, she actually killed Gotham herself in order to save Gotham City. That’s enough to make anyone go 2007-bald-Britney crazy.

    In Batman #6, we see Claire running all over Gotham City battling such low level jobbers as Colonel Blimp and Kite Man. The trouble is, while she’s flying all over Gotham fighting crime, she is trading her life for these small victories. The deal that Gotham and Gotham Girl made takes years off her life in exchange for hours of super abilities.

    Batman is at a loss for how to help Claire deal with her grief, but knows that if he doesn’t intervene, she will be dead within a couple weeks. Batman knows all about grief, but maybe isn’t the model of emotional health when it comes to grief management. Alfred delivers the best line of the series when Batman asks him how he helped Bruce deal with his own grief.

    “…each night you leave this perfectly lovely house and go leaping off buildings dressed as a giant bat. Do you really think I helped you?”

    This issue does an excellent job wrapping up the emotional fallout from the I Am Gotham storyline. It also sets up the next story arc, Night of the Monster Men, where we’ll see Batman working with Nightwing and Batwoman in the first crossover of the Rebirth era. Hopefully we’ll also get to see Duke finally leave the Batcave.

    In case you missed it, Tom King just won the 2016 Harvey Award for Most Promising New Talent. Well deserved, sir. Congratulations!

    Batman #6, DC Comics, rated T, released September 7, 2016, written by Tom King, pencils by Ivan Reis, inks by Joe Prado, Oclair Albert, and Scott Hanna, colors by Marcelo Mailo, letters by Deron Bennett, cover by David Finch, Danny Miki, and Jordie Bellaire, variant cover by Tim Sale, $2.69

    Review by Brendan Allen

    Please follow and like us:
  • ,

    Review: Batman #5 – The Pirate Broke Gotham

    Review for Batman #5
    DC Universe Rebirth - Batman #5 CoverBatman #4 opened with a gory scene showing 27 men lying dead at the hands of Gotham. The weight of responsibility for the safety of Gotham City and its residents is starting to weigh on the sincere rookie. He’s realizing it will take more than superpowers to be a hero. The situation isn’t helped by the fact that Gotham and Gotham Girl have had their emotions turned sideways by Psycho Pirate.
     
    In Batman #5, Gotham decides that the city of Gotham needs to be destroyed because he can’t save it. He flies to the center of town and warns bystanders to run as his eyes begin to glow red. Batman’s on the way, but won’t make it in time, so he sends in a decoy to stall for a few minutes. Alfred arrives on the scene in the Batmobile, wearing a Batsuit. That image alone is worth the price of admission.
     
    Batman himself is no match physically for Gotham, so he has called in some reinforcements. It quickly becomes evident that even The Justice League’s combined abilities won’t cut it unless they gain some understanding of Gotham’s unique powers. The only person who can provide said insight is Gotham Girl, who is currently in the Batcave with Duke, paralyzed with irrational fear courtesy of Psycho Pirate.
     
    I am Gotham #5 is a brilliant finale to the arc. Tom King has deftly established Batman as the only hero who can bear the weight of Gotham City’s sins. Bruce Wayne is Gotham City, for better and worse. Batman #6 will serve as an epilogue to I am Gotham, and then we get to see King write Batman’s first crossover of the Rebirth era in Batman #7. The Monster Men are coming!
     
    Batman #5, DC Comics, Rated T, released August 17, 2016, written by Tom King, pencils by David Finch, inks by David Finch, Sandra Hope, Matt Banning and Scott Hanna, colors by Jordie Bellaire, letters by John Workman, cover by David Finch, Danny Miki, and Jordie Bellaire, variant cover by Tim Sale, $2.69
     
    Review by Brendan Allen
    Please follow and like us:
  • ,

    Review: Moon Knight #5 – Turning Chaos Into Gold

    Moon Knight #5 by Jeff Lemire & Greg Smallwood

    moon knight #5A hero with multiple personalities is trying to escape what may or may not be a mental institution while battling the Egyptian god that gave him his powers.

    If all of that sounds confusing, you’re not alone. Moon Knight has never been the most accessible hero. And it’s not the sort of thing we expect from Marvel with his demigods, billionaire heroes and voluptuous vixens.

    In writer Jeff Lemire’s hands, the book feels like a title from an independent publisher, not mighty Marvel. Instead of giving you straightforward answers about Moon Knight and his situation, he gives a partial answer, but then raises more doubts and questions. While that could come off as frustrating, in Lemire’s hands it’s gold.

    Amazing too is the issue’s artwork. Tapping four different artists, Moon Knight 5 takes us on a journey where each flip of the page brings the reader to a different reality with completely distinctive feels. As many colorists also contribute to the mood – giving you the feeling you’re reading four different – but amazing – books.

    As the last installment in the initial story arc, Lemire gives us a satisfying conclusion yet few answers. That’s no easy task, and sets up his challenge as he starts the second arc (where our hero will produce a big budget movie about Moon Knight).

    So if you are a fan of straightforward superhero storytelling, this is a title to skip. But if you are looking for a flawed hero, great writing and artwork as well as a mystery with more layers than an onion, Moon Knight may be your thing.

    Moon Knight #5, Marvel Comics, Released Aug. 3, 2016, Written by Jeff Lemire, Art by Greg Smallwood, Wilfredo Torres, Francesco Francavilla and James Stokoe, Color by Jordie Bellaire, Michael Garland, Francesco Francavilla and James Stokoe, Lettering by VC’s Cory Petit; $3.99.

    Review by Tom Smithyman

    Please follow and like us:
  • ,

    Review: All Star Batman #1 – Synder Returns, Offers Batman Twist

    All-Star Batman # by Scott Snyder at TFAW.com

    all star batman #1Of all the New 52 titles, Batman was least in need of a makeover in DC’s Rebirth. Scott Snyder and Greg Capullo did such an amazing job with the Dark Knight mythos during that time that it was hard to conceive anyone else at the helm of the Batman Rebirth title. Luckily, Tom King and David Finch are killing it, and now Scott Snyder has moved on to All Star Batman. The art duties will rotate between such names as John Romita Jr., Declan Shalvey, Jock, Sean Gordon Murphy, and Tula Lotay, so that “All Star” label applies as much to the creative team as it does the villains in this series. Greg Capullo fans can look forward to a mysterious collaboration he has promised with Snyder after he finishes his current project with Mark Millar.

    Scott Snyder got the idea for a new take on Batman from a southwest road trip he took with his nine-year-old. While he had the whole trip planned out, the most fun and craziest moments they had were when the plan failed and they ended up off road. Essentially, Snyder decided to pitch a road trip where Batman would end up facing all the villains he wished he had written during his New 52 tenure.

    All Star Batman #1 cleanly establishes the plot of this new series: Batman has promised to take Harvey Dent out of Gotham and deliver him to a house where Dent believes he can rid himself of his villainous alter ego. Two-Face doesn’t want to be eliminated, so he offers a bounty equal to the fortunes of the three richest crime lords in Gotham on Batman’s head. As added incentive, Two-Face promises that if Batman is not brought down, he will reveal all of the illicit information that he has collected during his time as DA.

    Two-Face’s split personality, alternately helping and hindering Batman’s progress, makes him simultaneously interesting as a sidekick and a foil. The rotating cadre of artists keeps the individual chapters looking fresh. Batman even has a few moments of levity in the script. Wait. Batman has jokes?

    Stephen King once said, “There’s one thing I’m sure about. An opening line should invite the reader to begin the story. It should say: Listen. Come in here. You want to know more about this.”

    As an opening line, All Star Batman does its job in spades. I definitely want to know more about this.

    All Star Batman #1, DC Comics, released 10 August 2016, written by Scott Snyder, art by John Romita Jr. and Declan Shalvey, inks by Danny Miki and Declan Shalvey, colors by Dean White and Jordie Bellaire, letters by Steve Wands, cover by John Romita, Danny Miki and Dean White, variant covers by Jock, Declan Shalvey and Jordie Bellaire, $4.49

    Review by Brendan Allen

    Please follow and like us:
  • ,

    Review: Batman #4 – Everyone gets a Chance to be Brave

    Review of Batman #4

    Batman #4Tom King is a fan of callbacks. The flashback scene in Batman #3 that showed a young Gotham walking obliviously with his parents into a mugging, then being saved from that horror by Batman was a nod to Batman’s own origin story. While the results of the two incidents were vastly different, both boys were inspired to the same goal in adulthood, saving Gotham City from itself.

    Batman #4 opens with another callback. This one is a double whammy. In a setup reminiscent of a well-known scene from All Star Superman where The Man of Steel gracefully lands behind a suicidal girl on a rooftop and reassures her that everything will be all right, Gotham finds himself stationed on a ledge behind an apparently suicidal man. He recites the same words to the jumper that Batman spoke to Gotham as a young boy on the night he was mugged with his parents.

    “We just have to remember that everyone gets scared. But all that really means is everyone gets an opportunity to fight that fear. Everyone gets a chance to be brave.”

    Unfortunately, the same words that inspired Gotham to become a vigilante crime fighter inspired this apparent bridge jumper to complete a different task, much darker than was assumed by the green hero. Gotham city is starting to take its toll on the idealistic young hero.

    Tom King’s decision to largely leave Hugo Strange in the background of this opening salvo of issues is brilliant. We’ve seen the bad doctor a couple times, enough to know that he’s behind all these strange goings on in Gotham City, but we, as readers, are still as clueless as The World’s Greatest Detective as to what end.

    The art team, led by David Finch, continues to impress. The dark and twisty narrative is matched by imagery equally. The implicit violence in some scenes is just as vividly portrayed as the explicit violence in other scenes. This title is carrying a “T” rating for a reason.

    Batman #4, DC Comics, released August 3, 2016, written by Tom King, pencils by David Finch, inks by Sandra Hope and Matt Banning, color by Jordie Bellaire, letters by John Workman, cover by David Finch, Jordie Bellaire, and Matt Banning, variant cover by Tim Sale, $2.69

    Review by Brendan Allen.

    Please follow and like us:
  • ,

    Review: Batman #3

    Review of Batman #3

    batman #3Gotham and Gotham Girl seemingly appeared out of thin air in I Am Gotham (Batman #1). Batman #3 starts to pull back the curtain on who these mystery vigilante crime fighters are and where they came from. The opening sequence is a flashback (with entirely too many “piss references”) where Batman saves a young boy and his folks from a brutal mugging. Back in storyline present, we learn the tale is being told to an incognito Bruce Wayne by Gotham & Gotham Girl’s parents. We’re following the story of the world’s greatest detective.

    Of course he figured out their secret identities. Although exactly how the pair achieved their superhuman abilities is still unclear. We only know it was expensive and it took place somewhere overseas. There’s a rabbit hole I’m sure we’ll head down eventually.

    “The Monster Men are… coming. Aren’t they…STRANGE…?”

    If you haven’t guessed by now, with the oh-so-subtle dialogue clues like the one above and two cameo appearances by none other than Dr. Hugo Strange himself, Tom King is setting us up to revisit one of the oldest storylines in Batlore, Hugo Strange and the Monster Men. King isn’t messing around with the “back to our roots” DC Rebirth concept. This story has its roots all the way back in 1940’s Batman #1.

    I am thoroughly enjoying Tom King’s take on Batman. We’re seeing more of Bruce Wayne’s sleuthing abilities and disguise expertise. The chapters haven’t been excessive in their use of action sequences, but the action is well planned and executed. The dialogue and setup is where King is really starting to shine. There are more than a couple times Mr. King effectively uses misdirection to poke at readers who have extensive knowledge of Batman and DC canon. Those are my favorite setups, where you aren’t sure you’ve been had until it becomes abundantly clear three panels (or three issues) later.

    Batman #3, DC Comics, released July 20, 2016, written by Tom King, pencils by David Finch, inks by Danny Miki, colors by Jordie Bellaire, letters by John Workman, cover by David Finch, Matt Banning, and Jordie Bellaire, $2.69

    Review by Brendan Allen

    Please follow and like us:
  • ,

    Review: Batman #2

    batman #2In case you missed Batman #1, Batman was poised to rescue the city of Gotham and passengers on board a critically disabled jet by diverting the jet into a large body of water. In the process of saving countless lives, Batman was prepared to lose his own. At the very last second, the plane slowed by an unseen force. As the nose of the plane lifted up gently, Batman mistakenly credited the assist to Superman before realizing it was someone else entirely. Two masked strangers introduced themselves as Gotham and Gotham Girl.

    Batman #2 opens with a fight between Gotham, Gotham Girl, and Solomon Grundy. This is the first good look we get at Gotham and Gotham Girl. By first appearance, the pair has Kryptonian abilities. They both levitate and fly in the manner of Clark Kent, and they also apparently have super strength. Later in the issue, we learn they also have enhanced vision and x-ray vision. The symbol they wear on their chests is even reminiscent of the Superman’s shield of The House of El.

    The fight with Grundy showcases the pair’s abilities, but also exposes a huge weakness. They haven’t been doing this hero gig for very long, and they’re green as grass. Batman is uncharacteristically trusting of the new duo. He agrees to help train them, either to make them into credible crime fighters, or so that he can keep them close for observation. The pair is extremely eager to please, which begs to question why they are so intent on getting close to Batman in the first place.

    I enjoyed the pacing of this issue better than the last. The last issue was all about establishing relationships and characters. This issue starts to move the Monster Men story arc forward, while still conveying a few important character developments. Tom King and David Finch have delivered another solid entry in the Rebirth mythos. I only hope that they are able to maintain this level of storytelling while pumping out two issues per month.

    Batman #2, DC Comics, released July 6, 2016, written by Tom King, pencils by David Finch, inks by Matt Banning and Danny Miki, colors by Jordie Bellaire, letters by John Workman, cover by David Finch and Jordie Bellaire, $2.69

    Review by Brendan Allen.

    Please follow and like us: