Regression #1 introduces Adrian, a pretty ordinary guy–except for one thing. Adrian is plagued by vivid waking nightmares. The visions are so intense they are ruining his life. Finally, his friend Molly coerces Adrian into a past life regression hypnotherapy session with her friend Sid.
During the first session, Adrian catches a glimpse of a bizarre and ghastly scene. Unable to process the scene he just witnessed, Adrian wakes in a daze. Unconvinced that he has just experienced a peek into his past life, Adrian is ready to give up on therapy.
Occult, Conspiracy, Mystery, Reincarnation, and Insanity
Unfortunately for Adrian, the vision was real. Something unspeakable happened in his past life, and it has followed him to his present.
Writer Cullen Bunn drew on experiences from his childhood when penning the script for Regression. “My father was a hypnotist, and I watched him perform a number of past life regressions,” Bunn noted in an exclusive interview with TFAW. “I thought about those regressions quite a bit over the years. Somewhere along the way, the troubling thought dawned on me: what if one of those past lives were evil? Or possessed by evil? And what if the regression gave them a finger hold in someone’s life? What if they could hitch a ride to the present?”
Bunn’s first hand experience with hypnosis, subconscious, and past life regression comes through in the story. There is a very creepy and unsettling realism to the scenario he is describing. The artwork and color choices by Danny Luckert and Marie Enger sell the terror and levity of the script brilliantly.
We caught up with Cullen and picked his brain about Regression, the upcoming reboot of The Damned, and past life regression.
TFAW: Do you remember the first comic book you ever read? How did it end up in your hands?
Cullen Bunn: I remember “reading” an early issue of X-Men when I was very young, just flipping through it, looking at the Kirby art, not really understanding the real awesomeness of what I was seeing. The first comic I remember sort of reading was Avengers 154, where Attuma stages an attack on the Avengers and beats the Hell out of them. The issue scared me because I thought the Avengers had died. Those books, like so many of my comics when I was a kid, were bought at yard sales. Back in those days, you could find stacks of comics on the cheap at 2 out of 5 yard sales it seemed.
TFAW: What series got you hooked on comics?
Bunn: The comic that made me love comics was purchased off a grocery store spinner rack. It was Micronauts 7. That book hooked me with the story, the characters, the art, and the world-building.
TFAW: What comic writers and artists inspire you?
Bunn: Oh, wow! That’s a pretty big list. Morrison and Moore (and their weird wizard rivalry). Ellis, Wrightson, Starlin, Mantlo, Claremont, and so many more.
I wish I had taken to time to enjoy the ride instead of being so stressed out about breaking in.
TFAW: How did you get your big break in comics? At what point did it hit you that you had broken in?
Bunn: I was working at a comic book store years and years ago when I met aspiring artist and fellow comic shop employee Brian Hurtt. We started talking about working on a comic book together, but it took a long, long time for that to happen. A little over ten years ago, Brian and I pitched the idea for our horror/noir series The Damned to Oni Press and they snapped it up. The Damned, by the way, is returning. The trade paperback of the original series just hit the shelves and the first issue of the new ongoing series hits the shelves soon!
Anyhow, that was my big break, I guess, because it helped me wedge my toe in the door. It still took several more years for me to get more work. I put out another book with Brian and Oni titled The Sixth Gun, and that started getting attention from other publishers.It really hit me that I had broken in on the day I was able to quit my day job and become a full-time writer. I had broken in before then, I just never really appreciated and accepted it until that moment. I wish I had taken to time to enjoy the ride instead of being so stressed out about breaking in.
TFAW: What is Regression about?
Bunn: In Regression, we meet Adrian, an average guy who is experiencing vivid, horrible waking nightmares. These visions are so intense that they are ruining his life. His friend Molly convinces him to try past life regression hypnotherapy to help him understand the source of these visions. During the session, Adrian catches a glimpse of something ghastly, but he can’t make heads or tails of it. And that’s when the trouble starts.
The past life Adrian encounters follows him back, nesting in his mind and taking control every now and then, forcing him to do horrible things. Adrian’s life starts spinning out of control, this other presence destroying everything around him. And to make matters worse, he is now at the center of some sort of strange supernatural conspiracy. A shady group of characters are watching him, because they feel that the intruding past life has some apocalyptic secrets to share.
Watching some of the things my dad did with hypnosis has made me a believer.
TFAW: The first historical mention of past life regression was in second century BC. It’s not a new subject, but there are surprisingly few mentions of past life regression in modern horror. What inspired you to write about this subject?
Bunn: Past life regression as a story element has been something I’ve been thinking about for years. My father was a hypnotist, and I watched him perform a number of past life regressions. I thought about those regressions quite a bit over the years. Somewhere along the way, the troubling thought dawned on me: what if one of those past lives were evil or possessed by evil. And what if the regression gave them a finger hold in someone’s life? What if they could hitch a ride to the present?
TFAW: What was the weirdest thing you ever saw during one of your father’s PLR sessions?
Bunn: I know there are a lot of skeptics out there when it comes to hypnosis and past life regression. I get it, because I think there is a lot of phony stuff out there in the world. However, watching some of the things my dad did with hypnosis has made me a believer.
I saw so, so many strange things. With the past life regressions in particular, I witnessed people speaking in previously unknown languages or with perfect accents from faraway places. I saw people describing intricate details of day-to-day life in time periods long, long gone.
Once, while he was doing a show at a park, he had a subject who just refused to wake up. All the other subjects awoke when my dad counted to three, but this one guy remained under hypnosis. He would respond to my father. He would do things my father asked him to do. But he just refused to wake up. It took two or three hours to get him to come out of the hypnotic state.
The most chilling thing, though, the thing that really planted the earliest seeds of Regression was another guy he hypnotized. He was a responsive subject. But when my dad regressed him to a past life, he just sat there in this eerie silence. He simply would not respond in any way to my dad’s voice. My dad told the other people who were watching that this subject must have been a “new soul” but I wondered if maybe there was something unspeakable in his past life.
I had a group of friends in high school who really wanted to convince my dad to hypnotize all of us…
TFAW: Did you ever let your father hypnotize you?
Bunn: No, no, no. Never!
TFAW: Why not? What were your objections or fears?
Bunn: I’m too much of a control freak. I had a group of friends in high school who really wanted to convince my dad to hypnotize all of us and then let someone run us through a Dungeons and Dragons adventure that we would see and experience as real. Terrible idea!
I just remembered that as I was answering this question. Thank goodness we didn’t try that. It sounds like the basis of an 80’s cautionary TV movie.
TFAW: How did you end up partnering with Danny Luckert on Regression?
Bunn: We’ve been working on this book since 2013. Around that time, I had reached out to other comic book writers, asking if they knew of any artists who might be interested in a collaboration. Writer David Precht pointed me in Danny’s direction. I loved his artwork and reached out to him. We discussed a few ideas, but Regression was the one he liked most. He whipped up some character designs and art, and I loved his take on this story. The rest is history!
I still go to the comic shop every week…
TFAW: What titles are on your pull list?
Bunn: I have a standing order for at least the first few issues of all the new Image titles that come out. I usually end up buying them in trades and reading the whole series that way, but I like trying the first few issues in floppies. Southern Bastards is on my pull list still. I want the floppies for that. Doctor Strange, the X-Men titles, The Mighty Thor, Avengers, Uncanny Avengers, Spongebob (for my kid, I swear!) and a bunch of others I forget to mention. My favorite thing to do on Wednesdays (because I still go to the comic shop every week) is to ask the employees “What came out this week that’s awesome?” and they usually start piling books up for me.
TFAW: What’s next?
Bunn: As I mentioned, The Damned is coming out as an ongoing from Oni. I’m also working on a just-announced horror series from Boom! titled The Unsound. I have several other creator-owned books in the works, too, but they haven’t been announced yet. I’m also writing X-Men Blue and Monsters Unleashed for Marvel, as well as some top-secret projects that will be announced soon!