In case you missed Batman #1, Batman was poised to rescue the city of Gotham and passengers on board a critically disabled jet by diverting the jet into a large body of water. In the process of saving countless lives, Batman was prepared to lose his own. At the very last second, the plane slowed by an unseen force. As the nose of the plane lifted up gently, Batman mistakenly credited the assist to Superman before realizing it was someone else entirely. Two masked strangers introduced themselves as Gotham and Gotham Girl.
Batman #2 opens with a fight between Gotham, Gotham Girl, and Solomon Grundy. This is the first good look we get at Gotham and Gotham Girl. By first appearance, the pair has Kryptonian abilities. They both levitate and fly in the manner of Clark Kent, and they also apparently have super strength. Later in the issue, we learn they also have enhanced vision and x-ray vision. The symbol they wear on their chests is even reminiscent of the Superman’s shield of The House of El.
The fight with Grundy showcases the pair’s abilities, but also exposes a huge weakness. They haven’t been doing this hero gig for very long, and they’re green as grass. Batman is uncharacteristically trusting of the new duo. He agrees to help train them, either to make them into credible crime fighters, or so that he can keep them close for observation. The pair is extremely eager to please, which begs to question why they are so intent on getting close to Batman in the first place.
I enjoyed the pacing of this issue better than the last. The last issue was all about establishing relationships and characters. This issue starts to move the Monster Men story arc forward, while still conveying a few important character developments. Tom King and David Finch have delivered another solid entry in the Rebirth mythos. I only hope that they are able to maintain this level of storytelling while pumping out two issues per month.
Batman #2, DC Comics, released July 6, 2016, written by Tom King, pencils by David Finch, inks by Matt Banning and Danny Miki, colors by Jordie Bellaire, letters by John Workman, cover by David Finch and Jordie Bellaire, $2.69
Review by Brendan Allen.