In the canon of comic book characters there are classic heroes like Superman and Batman, but there are also some off-center heroes that are not exactly the typical tights-wearing dogooders.
These characters not of this world and ones who have more in common with classic monsters than masked vigilantes. However, their outsider status frequently grants them the ability to comment on humanity differently than their more conventionally human counterparts.
Let’s start with the tragedy of Dr. Alec Holland, or as he’s better known to readers–Swamp Thing. Holland is a brilliant biologist working on a top-secret bio-restorative formula in the swamps of Louisiana. When a bomb planted in his lab goes off, Holland is splashed with burning chemicals and he runs into the swamp. The muck of the swamp merges with the chemicals and turns Holland into the moss-covered hero he has been ever since.
Man or Monster?
Originally created by comic book legends Len Wein and Bernie Wrightson, the original Swamp Thing stories deal in traditional monster tropes. We see Swamp Thing do battle with the mad scientist Arcane and his mutated UnMen, there are angry villagers, giant robots, and even a werewolf. Wein does manage to weave in a story about Holland trying to reclaim his humanity as an undercurrent in the fairly pulpy horror stories.
Writer Alan Moore brought this undercurrent of humanity to the surface when he took over the book in 1984. Moore reconceived the character as a part monster that had been imbued with memories of Dr. Alec Holland. By inverting the story of a man made into a monster to monster made into a man, Moore created a metaphysical tale of character dichotomy. This change in creative direction brought a whole new audience to DC’s horror tale.
Swamp Thing has changed creative hands a number of times in his four decades of history. The likes of Mark Millar, Brian K. Vaughn, Grant Morrison, and Scott Snyder have all added to his character development. With the ongoing struggle between man and monster and the trippy mythology gifted to him by Moore, Swamp Thing presents different creators with the chance to tell deeply human and emotional stories in the world of the macabre and the supernatural.
Defining Deadman and Redemption
Swamp Thing is not DC’s only undead superhero. Five years before Alec Holland fell into that swamp, readers were introduced to the aptly named Deadman. Created by Arnold Drake and Carmine Infantino, Deadman is the ghost of acrobat Boston Brand who was murdered during one of his acts. The Hindu god Rama Kushna gives Brand’s spirit the power to possess any living being. With this power and his new superhero identity as Deadman, he sets out to track down the man who killed him, a mysterious figure known only as “The Hook.”
Much like Swamp Thing, it would be another comic book luminary not involved with the initial creation of the character who would come to define Deadman. Writer/Artist Neal Adams took over creative duties in the second issue and not only brought his legendary high detail art, but a new depth to Boston Brand’s story. In Swamp Thing, Alec Holland is an altruistic scientist trying to better humanity with his experiment. For all intents and purposes, Holland is a straight ahead good guy. Boston Brand on the other hand is not exactly a bad guy but he has cold streak of selfishness. He’s ruthlessly focused on keeping the circus business alive often at the expense of the feelings of his fellow performers.
By creating a character that in life was not the greatest person, Deadman became a story of redemption. Brand was always seeking revenge on his killer, but he couldn’t resist using his newfound abilities to help people as well. This aspect of the character was made explicitly clear when he was rebooted for DC’s New 52. The creative team of Paul Jenkins and Bernard Chang added a new wrinkle to Deadman’s mythology. He must use his powers to help people in order to atone for his selfish life or be forced to spend eternity forever in limbo between life and death. The core of Deadman’s character becomes clear, this is a guy who has been given a second chance. The human urge to rectify one’s past behavior is a palpable and very emotional undercurrent to a story about a superhero who can possess people’s bodies.
Hellboy Seeks Humanity
Another otherworldly hero with a slightly different streak of humanity than those mentioned before is Dark Horse’s Hellboy. The brainchild of writer/artist Mike Mignola, Hellboy is a half demon, half human who was born in hell. Unlike Swamp Thing or Deadman, Hellboy comes from another world and is brought into ours. As opposed to Alec Holland or Boston Brand trying to reclaim their humanity, Hellboy seeks a humanity that he was not born with. Hellboy though monstrous in appearance combats monsters and other supernatural evil for an organization called the Bureau of Paranormal Research and Defense (or BPRD).
Hellboy presents a character that rebels against his supposed destiny. He was created by evil to enact evil. His right hand is meant to bring about the end of the world. Hellboy chooses to ignore his destiny and instead lives a blue-collar lifestyle of a cop or a plumber, albeit one who combats demons and monsters for a living.
Almost everyone has at one point or another in their life wondered about their place in the world or grappled with other people’s intentions for them. Most people probably don’t have apocalyptic prophecies connected to them, but Hellboy is a comic book after all.
Heroes come in all shapes and sizes. They also come in varying degrees of being alive. However, humanity is at the core of all these stories. Whether it’s the struggle to regain humanity or a quest to understand humanity, it becomes clear that being human is not related to physical features. In fact, the most physically monstrous can often have the most emotionally complex and human of stories.
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